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The Path of Flames
The first book in the new epic fantasy series readers are comparing to David Gemmell and Raymond E. Feist. A war fueled by the dark powers of forbidden sorcery is about to engulf the Ascendant Empire. Agerastian heretics, armed with black fire and fueled by bitter hatred, seek to sever the ancient portals that unite the empire - and in so doing destroy it. Asho--a squire with a reviled past--sees his liege, the Lady Kyferin, and her meager forces banished to an infamous ruin. Beset by tragedy and betrayal, demons and an approaching army, the fate of the Kyferins hangs by the slenderest of threads. Asho realizes that their sole hope of survival may lie hidden within the depths of his scarred soul--a secret that could reverse their fortunes and reveal the truth behind the war that wracks their empire. Unpredictable, fast paced, and packed with unforgettable characters, The Path of Flames is the first installment in a gripping new epic fantasy series. Grab your copy today!
Death March
I sacrificed everything for my family. It wasn't enough. I lost my mother, and now I'm about to lose my brother. I've got only one thing left to gamble: my life. Which is why I'm willing to play Euphoria Online in Death March mode. If I survive six months in-game against a lethal array of wyverns, ogres, necromancers, and more, I'll earn my brother a pardon. If I lose? Well. I'm done with losing.
The Empire of the Dead
It has been two decades since the daughter of the death goddess enacted her cruel betrayal. Two decades since the other nine gods were slain, their semi-divine progeny murdered, and the disparate peoples of the Riverland forced to bend knee to their new empress and her armies of the dead.But when bandits kidnap a youth at the edges of the empire, two aged and broken heroes emerge from obscurity to attempt an unlikely rescue. Neither man relishes confronting the forces of their dread empress, but when they learn that their quarry is being held for sacrifice in the imperial city of Rekkidu, they reluctantly begin gathering a crew of uniquely talented criminals to attempt an impossible rescue.A rescue whose failure could have shattering consequences. For they are Jarek and Acharsis, the last of the demigods, long thought dead and whose return could shake the very foundations of the empire.
The White Song
he hour of reckoning is at hand. The skies darken with the forces of the enemy while the hopes of the armies of the light dwindle to but a candle flame. Morals, compunctions, oaths - all must be set aside, every sacrifice made, every advantage and ally sought if there is to be any chance for survival.
Beyond Ballyhoo
William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that "the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling." This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket--Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography.
Screen Sirens Scream!
These twenty heroines portrayed imperiled women in science fiction, horror, film noir and mystery movies from the 1930s to the 1960s. Some--like Sandy Descher, who confronted the giant ants of Them!--were only girls when they faced their screen perils. Others--such as Mary Murphy, who played opposite Marlon Brando in The Wild One--were leading ladies in other film genres. Yet others--such as June Wilkinson, considered by many as Playboy's greatest model--came from outside the acting world. Each interview is preceded by an introduction. Besides the three above, the interviewees are Ramsay Ames, Claudia Barrett, Jean Byron, Linda Christian, Faith Domergue, Amanda Duff, Evangelina Elizondo, Mar...
Keep Watching the Skies!
Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0).
The Battle for the Bs
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for...
The Silley Woman
Bess Silley lived in the public house, The Silley Woman - named after her Grandmother, she lived there happily with her parents. Bess's happiness was marred by the mysterious disappearance of her Father. She then sought solace from her friend Steve Noble and grew to love him. Lonely when Steve joined the Army, it was then a new love crossed her path, only to bring her more unhappiness.
3-D Revolution
Stereoscopic cinema began in the early 19th century and exploded in the 1950s in Hollywood. Its status as an enduring genre was confirmed in 2009 by the success of 3-D movie 'Avatar'.
