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The Encyclopedia of Popular Music
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
The First Hollywood Musicals
As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry's most lucrative genre--until the greedy studios almost killed the genre by glutting the market with too many films that looked and sounded like clones of each other. From the classy movies such as Sunnyside Up and Hallelujah! to failures such as The Lottery Bride and Howdy Broadway, this filmography details 171 early Hollywood musicals. Arranged by subgenre (backstagers, operettas, college films, and stage-derived musical comedies), the entries include studio, release date, cast and credits, running time, a complete song list, any recordings spawned by the film, Academy Award nominations and winners, and availability on video or laserdisc. These data are followed by a plot synopsis, including analysis of the film's place in the genre's history. Includes over 90 photographs.
The Musical
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Phantom Variations
This book examines the themes and variations of Phantom of the Opera, exploring the story's appeal to multiple generations through numerous incarnations. After discussing Gaston Leroux's original 1910 novel, the work turns first to Phantom on film from Lon Chaney's 1925 Phantom through Dario Argento's 1998 film. Stage versions of Phantom are then covered in detail, including Webber's spectacular 1986 production and its lesser-known predecessors and competitors, and those that followed. A final section looks at novels and miscellaneous adaptations ranging from erotic fiction to a Donald Barthelme short story.
Hollywood Diva
Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography details the actress's fearless efforts to break down the distinctions between high art and mass-consumed entertainment. 60 illustrations.
Popular Music
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Carole Landis
Despite appearing in twenty-eight movies in little over a decade, Carole Landis (1919-1948) never quite became the major Hollywood star her onscreen presence should have afforded her. Although she acted in such enduring films as A Scandal in Paris and Moon over Miami, she was most often relegated to supporting roles. Even when she played the major role in a feature, as she did in The Powers Girl and the film noir Wake Up Screaming!, she was billed second or third behind other actors. This biography traces Landis's life, chronicling her beginnings as a dance hall entertainer in San Francisco, her career in Hollywood and abroad, her USO performances, and ultimately her suicide. Using interview...
Magnificent Obsession
In Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics, author Anthony Slide looks at the way film has dominated the minds and lives of film buffs, film collectors, film academics, and just plain fans of past movies. Based on the author's more than fifty years in the field and his personal, up-front knowledge of the subject, chapters provide unique documentation on film buffs who once created a livelihood from their hobby, including long-forgotten Chaw Mank and the vast array of film clubs that he headed and New York radio and television sensation Joe Franklin. The history of fans and their fan clubs are discussed, as well as the first and only per...
Opera on Screen
This is a guide in book form and on CD-ROM to the thousands of films and videos featuring operas and opera singers in the last one hundred years. The guide has been organized alphabetically as an encyclopedia with entries on operas, operettas, zarzuelas, singers, composers, writers, conductors and subjects of interest. Special subject entries include animated opera, best opera on film, best operetta on film, castratos, divas, directors of opera on film, directors of opera on TV, filmmakers on stage, first operas on film, first operas on TV, imaginary operas in films, operas and operettas about the movies, operas as movies, operas based on movies, operetta, puppet opera, silent films about opera, silent films of operas, television operas, vitaphone opera films, voice of firestone, worst opera on film, worst operetta on film, zarzuelas. [from Introduction]
The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
