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Bill Everett's Amazing Man
Reprint of fully restored Amazing-Man Comics #5-11 (1939-1940), with additional information about Bill Everett, the Centaur "Comic Group" and the actual copyright status of the comics. Created by Bill Everett at the very start of his career, John Aman, the Amazing-Man, was the leading hero of Centaur, one of the earliest Golden Age comic book publisher. An orphan raised by enlighted Tibetan monks to achieve ultra-manhood, he truly is John "a-man", an archetype of human perfection, whose powers are a personal achievement anybody could attain, if given the opportunity to reach its full potential. Neither an alien from another planet nor a mutant with a twisted genetic code, Amazing-man is a human being with a bright and a dark side, like any other...
Rudolf Friml
The first book-length study devoted to Rudolf Friml's multifaceted musical legacy
The Musical
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
William Everett Compositions
Includes autograph manuscripts, 1 typescript, and clippings of the writings by William Everett. Includes his complete 1904 Lowell Lectures on Italian poets since Dante, many juvenile stories, and other writings. Many of the stories are incomplete (some are marked in manuscript as "incomplete"), many have autograph manuscript revisions, and most are undated.
The Cambridge Companion to the Musical
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
The London Gazette
None
Capable of Honor
The sequel to the Pulitzer Prize–winning novel is a political thriller examining the influence of the media on presidential elections. It is one of the most fundamental questions facing America today: How justifiably, or irresponsibly, do the volatile and unbiased American media—press, television and radio—attempt to interfere with, and control, the political process and the foreign policy of the nation? In a hotly fought Presidential primary, the news media fractures along ideological lines, supporting and distorting the candidates’ records, manipulating the news rather than covering it. Capable of Honor, the third novel in the grand, bestselling Advise and Consent saga, is a compelling blockbuster that shines a harsh and revealing spotlight on how the media shapes the news, guides public opinion, creates policy—and tries to shape history itself.
American Paintings at Harvard
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
