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F.P. Grove in Europe and Canada
"With more than fifty period photos and documents, countless letters and a foreword by E. D. Blodgett, F. P. Grove in Europe and Canada represents the definitive biography of the writer Northrop Frye called a "Canadian Dreiser." This work will prove an invaluable resource for scholars in Canadian and German literature, comparative literature, modernism, publishing history and translation studies."--BOOK JACKET.
Hybrid Church
"In every walk of life, the COVID-19 pandemic has presented challenges and opportunities like never before. For Christian ministry, it has forced us to get out of our buildings and find God in the wild. This lively study paints a picture of a church without walls. It gives three case studies of how practitioners responded to their contexts with hybrid forms of engagement that enabled people to encounter God wherever they were, and accept his invitation to walk with him along the way"--Page 4 of cover.
Unnamed Country
Americans have an idea of what the Great Plains did to the people who settled there but know little about the analogous process north of the 49th parallel, or how it was reflected in fiction. Dick Harrison's Unnamed Country fills this gap. Harrison traces the varying literary responses to the Canadian prairies, from the bewilderment of the first English-speaking visitors, who saw the country in essentially negative terms -- no wood, no water -- down to the contemporary novelists who are employing sophisticated modem fictional techniques to reinterpret the whole experience from a new perspective. Between these two ends of the literary continuum he finds the early writers of fiction too loaded down with what he calls "excess cultural baggage" brought from Britain or eastern Canada to see the country as it was; the early twentieth-century writers, bemused by the myth of the garden, who portrayed the prairies subdued and fruitful; the prairie realists of the 1920s and 1930s, akin to O. E. Rolvaag in their tragic view; and their contemporaries, the popular novelists, who depicted the pioneering process in more affirmative tones.
Fruits of the Earth
"The Fruit of the Earth" is a prose poem by André Gide, a French author, and winner of the Nobel Prize in Literature. The book written under the intellectual influence of Nietzsche's "Thus Spoke Zarathustra" reflects the true genesis was the author's own journey from the deforming influence of his puritanical religious upbringing to liberation.
The Canadian Short Story
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a ...
Writing in Dust
Writing in Dust is the first sustained study of prairie Canadian literature from an ecocritical perspective. Drawing on recent scholarship in environmental theory and criticism, Jenny Kerber considers the ways in which prairie writers have negotiated processes of ecological and cultural change in the region from the early twentieth century to the present. The book begins by proposing that current environmental problems in the prairie region can be understood by examining the longstanding tendency to describe its diverse terrain in dualistic terms—either as an idyllic natural space or as an irredeemable wasteland. It inquires into the sources of stories that naturalize ecological prosperity...
The Grove Symposium
Each year the Department of English, University of Ottawa, sponsors a symposium on a major Canadian writer. University of Ottawa Press, in its _REAPPRAISALS: Canadian Writers_ series, publishes the proceedings of each symposium, sometimes with additional critical articles and biographical material.
Writing Unemployment
This landmark study explores the cultural and literary history of unemployment in Canada from the 1920s to the 1970s, which were crucial decades in the formation of our current conception of Canada as a nation. Writing Unemployment asks how writers with diverse political affiliations participated in and protested against the discursive framing of unemployment. It argues that Depression-era conceptions of unemployment shaped later twentieth-century understandings of both worklessness and citizenship. By examining novels, short stories, poetry, manifestos, and agitprop, Jody Mason situates the literary history of the cultural left in a broader context, challenges the dominant literary-historical narrative of the pioneer settler, and contributes to new scholarship on Canada's modern period. By bridging close textual readings with book and publishing history, economic and sociological analysis, and original archival research, Writing Unemployment offers new ideas on work by many of Canada's most important writers.
