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Philip Hall Likes Me, I Reckon Maybe
This title has been removed from sale by Penguin Group, USA.
The History of Independent Cinema
From the flickering silent images of the nickelodeon to the roaring vibrancy of today's digital video productions, independent cinema has always challenged the way films are created, released and viewed. The History of Independent Cinema presents an extraordinary journey that revisits the innovative men and women who stood up to the status quo and brought revolutionary new ideas and technologies to the motion picture world. The History of Independent Cinema celebrates the pioneers who introduced color, sound, widescreen projection and videography to the filmmaking process. You will meet the brave individuals who tore down racial and gender barriers behind the camera, challenged censorship taboos imposed on film production, formulated new strategies for film distribution, and created many of the greatest movies ever made. Spanning the full spectrum of the U.S. film experience, The History of Independent Cinema is a tribute to the legendary filmmakers and landmark films that reshaped - and continue to reshape - American popular culture.
Killdeer
WINNER OF THE 75th GOVERNOR GENERAL'S LITERARY AWARD FOR POETRY WINNER OF THE 25th TRILLIUM BOOK PRIZE WINNER OF AN ALCUIN AWARD FOR DESIGN SHORTLISTED FOR THE GRIFFIN POETRY PRIZE These are poems of critical thought that have been influenced by old fiddle tunes. These are essays that are not out to persuade so much as ruminate, invite, accrue. Hall is a surruralist (rural & surreal), and a terroir-ist (township-specific regionalist). He offers memories of, and homages to -- Margaret Laurence, Bronwen Wallace, Libby Scheier, and Daniel Jones, among others. He writes of the embarrassing process of becoming a poet, and of his push-pull relationship with the whole concept of home. His notorious 2004 chapbook essay The Bad Sequence is also included here, for a wider readership, at last. It has been revised. (It's teeth have been sharpened.) In this book, the line is the unit of composition; the reading is wide; the perspective personal: each take a give, and logic a drawback. Language is not a smart-aleck; it's a sacred tinkerer. Readers are invited to watch awe become a we. In Fred Wah's phrase, what is offered here is "the music at the heart of thinking."
The Ups & Downs Of A Crane Driver
The author, Philip Hall, takes a trip through his working life after being employed by just one company, that had changes of ownership twice during that time. He held various positions within those companies, office worker, mechanic on the workshop floor, running the workshop repair office and, finally, for the last three decades of employment, driving heavy goods vehicles and mobile cranes, the latter ranging from the smallest to the largest in the hire fleet, at that time. Some research was necessary to discover how the founding company began at the very start back in the nineteen twenties and how it became so successful. The remainder was purely 'off the top of the head', as it were, plus reference to old diaries. The purpose is to give the reader an idea of what work was like, especially crane driving, back in earlier times.
Get on Out of Here, Philip Hall
Beth Lambert's got everything going for her at school, and she's sure all of her dreams will come true. But that was before Philip Hall became #1 again. Beth's going to show him up--in style!
I've Already Forgotten Your Name, Philip Hall!
Join the irrepressible Beth Lambert as she goes home after a long visit with her grandmother in Walnut Ridge, Arkansas. Beth is happy to see her friends the Pretty Pennies, and even happier to see her family (and eat her mother's fried turkey, tamale pie, and floradora potatoes), but she might just be happiest of all to see her best friend, Philip Hall. But not for long, because Philip gets it into his head (with a little help from Beth) that she made a new friend in Walnut Ridge -- a boyfriend. Now Philip won't rest until he meets this "nutty Walnutter" face-to-face in an arm-wrestling match in front of the whole town. There's only one problem -- Beth's new friend doesn't exist. She made him up! Once again Beth's mouth has gotten her into trouble. And once again she'll have to do some fast talking to see if she can get herself out of it.
The Collected Works of Philip Hall
As one of the world's most influential algebraists, Philip Hall is renowned for groundbreaking work in his field. The papers in this collection of his works are models of lucidity that offer relevant information for today's mathematicians and group theorists. The sequence of papers on soluble groups, up to and including his Hall-Higman paper and one on "Theorems Like Sylow's", are of fundamental importance to the development of finite group theory. Also included is Hall's Queen Mary College Mathematics Notes volume, which remains an excellent introduction to nilpotent groups.
Niagara & Government
"To tell what happened to you is not a poem," writes Governor General Award-winning poet Phil Hall in this, his latest collection, Niagara & Government. What a poem is: roaring calamity, wedding deceptions, sobriety, Charlottesville mobs, estranged sisters, folk art, poverty, puffery, work, names on cenotaphs, white space, white space, white space. These long sequential poems want to be spoken. They invite the reader to check her ego and sit with "the good stories that un-tongued us."
