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The Literary Criticism of Samuel Johnson
Philip Smallwood celebrates the emotional power and enduring wisdom of Samuel Johnson's literary criticism, showing how the abyss of the heart informs its powerful life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Johnson's Critical Presence
Samuel Johnson remains one of the most frequently discussed and cited of the eighteenth-century critics; but historians of criticism have invariably interpreted his work within conventions that have allowed for little evaluative commerce between the needs of the critical present and the voices of the critical past. Smallwood's argument is that Johnson's alienation from the modern critical scene stems in part from historians' tendency to tell the story of criticism as a narrative of improvement. The image of Johnson conceived by his antagonists in the eighteenth century has been perpetuated by romanticism, by nineteenth-century representational routines and mediated to the present day, most r...
Critical Occasions
Critical Occasions examines the relations between selected critical texts of Dryden, Pope, and Johnson, and the theoretical problems that arise in writing the history of the critical past. It is a book about three great Augustan critics and about the theory and philosophy of history in its application to criticism. Philip Smallwood was Professor of English at Birmingham City University for many years and is presently Visiting Fellow in the Department of English at Bristol University.
Critical Pasts
This volume assembles new thinking on the theory, practice, and cultural value of the history of literary criticism. Focusing on a theme that has attracted relatively little developed theoretical commentary hitherto, the authors of these essays draw on specialist areas of critical history - and different kinds of problems - to illustrate the paradoxes that attend any attempt to write the history of critical writing. dimension of restoration criticism, the relations between poetry and criticism, and a test case in eighteenth-century criticism's reception aesthetics. Other essays consider relations between eighteenth-century critical and literary history, between romanticism and New Historicism, and the various ways in which present and past criticism is interrelated. In an introduction to the volume, the editor calls for a clearer confrontation with the representational issues of critical history by those who write about the critical past.
Samuel Johnson After 300 Years
To mark the tercentenary of Samuel Johnson's birth in 2009, the specially-commissioned essays contained here review his scholarly reputation. An international team of experts reflects authoritatively on the various dimensions of literary, historical, critical and ethical life touched by Johnson's extraordinary achievement. The volume distinctively casts its net widely and combines consistently innovative thinking on Johnson's historical role with a fresh sense of present criticism. Chapters cover subjects as diverse as Johnson's moral philosophy, his legal thought, his influence on Jane Austen, and the question of the Johnson canon. The contributors examine the larger theoretical and scholarly contexts in which it is now possible to situate his work, and from which it may often be necessary to differentiate it. All the contributors have a distinguished record of scholarship in eighteenth-century studies, Johnson scholarship, and cultural history and theory.
Reconstructing Criticism
This study aims to bring the modern theory of literary criticism, and Pope's 'Essay on Criticism' of 1711, into a more productive and intersting association than critical-historical structures have generally allowed. Smallwood marks out in current terms and in depth the specialized theoretial and aesthetic problem of defining criticism. He recognizes that criticism, no more than literature or art, cannot be finally codified or defined, but insists on the need for clarity in the exposition of criticism's purposes and a fuller consciousness of a common community of practice available to audiences outside the academic fold. Affirming the unfailing currency and utility of the term criticism as new languages have taken over the critical domain, or have sought to replace or abolish literature, Smallwood distinguishes between the normative definitions that are everywhere apparent in modern theory of criticism, and the advantages to conceptual comprehension achieved by Pope's poetic idea of criticism in the 'Essay'.
The Oxford History of Classical Reception in English Literature: The Oxford History of Classical Reception in English Literature
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
A Concise Chronology of English Literature
This book is a year-by-year listing of significant literary and historical events from the time of Chaucer down to 1975. The division into hundred-year units, or chapters, is for ease of reference.
Howard Weinbrot and the Precincts of Enlightenment
Seeking to honor and extend the critical legacy of Howard Weinbrot, this volume re-examines, rebuilds, and upgrades the most prominent pillars of long eighteenth-century scholarship. The collection is divided into four thematic sections, beginning with a series of chapters offering fresh analyses of Swift, Dryden, Hogarth, and other major authors and artists of the period. In the sections that follow, the contributors not only explore biographies of both highly esteemed figures and notorious deviants, but also investigate the very concept of Enlightenment as it has evolved from the eighteenth century to today. The final section features chapters that probe the complex interaction of identity, persona, and place, traversing the countless locales in which the British—and the international—eighteenth century emerged. The volume ultimately covers a range of experience that extends from the gallows to the landscape garden and from heroic antiquity to Romantic-era France. Juxtaposing the local and particular against the grand and universal, Howard Weinbrot and the Precincts of Enlightenment testifies to the complexity and ongoing significance of eighteenth-century culture.
