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The Contemporary British Novel
The Contemporary British Novel is a lively, wide-ranging guide to the key issues in writing in Britain since the mid-1970s, including social change, gender, sexuality, class, history and ethnicity. Designed to address problems faced by students in the exciting but challenging field of contemporary fiction, the text is organised to focus on major topics including: - the changing nature of British identity; - the representation of urban identity and urban spaces; - class issues including the rise and fall of the middle class; - multiracial identity and hybridity. The second edition includes a new introduction and a new chapter on fiction since the millennium focusing on a post 9/11 aesthetic. Every chapter has been revised for the new edition and now includes an initial overview and recommended reading to offer guidance on further study. Includes readings of novels by: Martin Amis, Pat Barker, A. S. Byatt, Jonathan Coe, Hanif Kureishi, Salman Rushdie,Will Self, Zadie Smith, Jeanette Winterson among others.
Reading Zadie Smith
Since the publication of White Teeth in 2000, Zadie Smith has become one of the most popular contemporary writers and also one of the mostly widely studied. Taking criticism of Smith's work beyond its traditional focus on postcolonialism and multicultural identity, Reading Zadie Smith brings together leading international scholars to open up new directions in criticism of Smith's work. Covering such key topics as posthumanism, 'hysterical realism', religion, identity and ethics, this book brings together a full range of current critical perspectives to explore not only Smith's novels but also her short stories, her criticism and her non-fiction writing.
B.S. Johnson
Salman Rushdie is one of the world's most important writers of politicised fiction. He is a self-proclaimed controversialist, capable of exciting radically divergent viewpoints, a novelist of extraordinary imaginative range and power, and an erudite, and often fearless, commentator upon the state of global politics today. In this comprehensive and lucid critical study, Andrew Teverson examines the intellectual, biographical, literary and cultural contexts from which Rushdie's fiction springs in order to help the reader make sense of the often complex debates that surround the life and work of this major contemporary figure. Teverson also offers detailed critical readings of all Rushdie's novels, from Grimus through to Shalimar the Clown. This definitive guide will be of interest to those working in the fields of contemporary world writing in English, postcolonial studies, twentieth and twenty-first century British literatures, and studies in the novel.
Growing Old with the Welfare State
The combined effect of the welfare state and medical advances means that more people now live longer lives than ever before in history. As a consequence, the experience of ageing has been transformed. Yet our cultural and social perceptions of ageing remain governed by increasingly dated images and narratives. Growing Old with the Welfare State challenges these stereotypes by bringing together eight previously unpublished stories of ordinary British people born between 1925 and 1945 to show contemporary ageing in a new light. These biographical narratives, six of which were written as part of the Mass Observation Project, reflect on and compare the experience of living in two post-war periods of social change, after the first and second world wars. In doing so, these stories, along with their accompanying contextual chapters, provide a valuable and accessible resource for social historians, and expose both historical and contemporary views of age and ageing that challenge modern assumptions.
New Versions of Pastoral
Bringing together both established and emerging scholars of the long nineteenth century, literary modernism, landscape and hemispheric studies, and contemporary fiction, New Versions of Pastoral offers a historically wide-ranging account of the Bucolic tradition, tracing the formal diversity of pastoral writing up to the present day. Dividing its analytic focus between periods, the volume contextualizes a wide range of exemplary practitioners, genres, and movements: contributors attend to early modernism's vacillation between critiquing and aestheticizing the rise of primitivist nostalgia; the ambiguous mythologization of the English estate by the twentieth-century manor house novel; and the post-national revisiting of the countryside and its sovereign status in contemporary imaginings of regional life.
The Modernism Handbook
A one-stop resource containing introductory material through to practical case studies in reading primary and secondary texts to introducing criticism and new directions in research.
Ageing, Narrative and Identity
This book outlines the methodology and results of the Fiction and the Cultural Mediation of Ageing Project, led by a research team from Brunel University, UK. It investigates how older people resist stereotypical cultural representations of ageing and demonstrates the importance of narrative understanding to social agency.
London in Contemporary British Fiction
Contemporary writers such as Peter Ackroyd, J.G. Ballard, John King, Ian McEwan, Will Self, Iain Sinclair and Zadie Smith have been registering the changes to the social and cultural London landscape for years. This volume brings together their vivid representations of the capital. Uniting the readings are themes such as relationship between the country and the city; the capacity of satirical forms to encompass the 'real London'; spatio-temporal transformations and emergences; the relationship between multiculturalism and universalism; the underground as the spatial equivalent of London's unconsciousness and the suburbs as the frontier of the future. The volume creates a framework for new approaches to the representation of London required by the unprecedented social uncertainties of recent years: an invaluable contribution to studies of contemporary writing about London.
From Solidarity to Schisms
Explores the effects the evens to September 11, 2001 and their aftermath have had on fiction and film outside of the United States. This collection illustrates how 9/11 was global without using simple categorizations.
Contemporary British Fiction
This important new book provides a comprehensive introduction to British fiction from 1979 to the present. The volume outlines the main developments in contemporary fiction and engages with key themes such as cultural identity, gender, myth and history, postcolonialism and urban culture. In a series of lively and accessible essays, key critics introduce a broad range of leading British writers, including Salman Rushdie, Jeanette Winterson, Will Self, Pat Barker, Kazuo Ishiguro, Martin Amis and Zadie Smith. Offering an illuminating analysis and contextualiztion of British fiction today, this book will be essential reading for students and scholars of contemporary literature.
