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Keith Vaughan
Keith Vaughan (1912-77) was a major figure in post-war British art who is known for his searching portraits of the male nude and his association with the Neo-Romantic painters. This book provides for the first time a definitive, illustrated account of his life and work, exploring his wide-ranging achievement as a modern British artist.
Cyril Power Linocuts
Cyril E. Power (1872-1951) was a leading member of the Grosvenor School of Modern Art in London in the 1920s and 1930s under the inspirational leadership of Claude Flight. This book is the first to establish Power as an extraordinarily creative printmaker in his own right, cataloguing and illustrating in colour for the first time all 46 of his linocuts. It will be an essential resource for all those with a specialist or amateur interest in the vibrant prints of this period.
Dora Holzhandler
Dora Holzhandler's paintings are rooted in the mystical perception of reality and depict a timeless Jewish world, often with a Buddhist quality. The twin strands of Holzhandler's spiritual identity - Jewish and Buddhist - are strongly evidenced in her extraordinary work and explored in this superb volume, the first monograph on the art of Dora Holzhandler. Holzhandler's richly decorative paintings of everyday, often specifically Jewish, life, are reminiscent of Polish folk art, Indian and Persian miniatures and Roman mosaics. Inspired by Allen Ginsberg's poetry, Jack Kerouac's Buddhist-Catholic novels, Aldous Huxley's study of visionary perception and LSD-transfigured ways of seeing, and essays on the mystical path by a Catholic monk, Dora Holzhandler draws no distinction between the sacred and mundane.
William Crozier
William Crozier was born in Glasgow in 1930 and educated at the Glasgow School of Art. He spent time in Paris and Dublin before settling in London where he quickly gained a reputation through the early success and notoriety of his exhibitions of assemblages and paintings. This is the first major monograph on his work.
Face to Face
The core of this book is a detailed examination of 100 British self-portraits in the remarkable Ruth Borchard Collection. The earliest include works by Raymond Coxon, Ithell Colquhoun, Carel Weight and Anne Redpath from the first half of last century, but most are from the 1950s and 60s, helping evoke an entire period in British art and its myriad developing strands. All kinds of artistic influences are to be seen here - art school academicism, Camden Town, Expressionism, the Euston Road School, Kitchen Sink, continental Existentialism. The Collection is full of revelations of once relatively obscure artists who have gone on to become critically appreciated, along with artists of stature who have been unfairly neglected. Each portrait is accompanied by a text discussing the work in some detail, the artist's background and development and any relevant writings. In all, self-portraits by 220 artists are illustrated, mainly in color.
Joash Woodrow
Joash Woodrow (1927-2006) was a visionary, semi-reclusive artist whose output of several thousand paintings and drawings was discovered only towards the end of his life - filling a modest suburban house in Leeds to the brim. This book illustrates, and discusses in accompanying essays, the artist's landscape and cityscape pictures from his 1940s' adolescence in Leeds, through richly impastoed 1950s' paintings suffused with 'a latent luminosity', to the defiantly original pictures of his final decades: luminous explorations of scruffy local allotments with their ramshackle huts and glistening white picket fences, and transcendant yet acutely observed panoramas of inner city Leeds with its curious mix of high-tech development and unglamorous, sometimes bizarre local details.
The Prosecutor
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Image of a Man
Post-war British artist Keith Vaughan (1912-77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man provides a comprehensive critical reading of his extraordinary journal, uncovering the attitudes and arguments that shaped and reshaped Vaughan's identity as a man and as an artist.
