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The dissertation analyzes the projects of popular theater devised by the republican governments and assemblies, 1878 to 1893, in order to understand the conflicted point of view of republicans with regard to the democratization of art. In the 1880s, the four state-subsidized theaters (the Opéra, the Opéra-Comique, the Comédie-Française, and the Odéon) had a very select audience. Yet, republicans were divided on the issue of its diversification. On the one hand, the purportedly inferior moral capacities of the popular public made dramatic performances hazardous without a prior education of its will. On the other hand, it was fair to let people who paid for the upkeep of state-subsidized ...
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The Business of Tourism transports readers from the foundations of mass leisure travel in 1860s Egypt to contemporary religious sight-seeing in Branson, Missouri; from the Stalinist Soviet Union to post-Soviet Cuba. This collection of ten essays explores the enterprises, institutions, and technologies of tourist activity.
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The book edited by four known specialists of European history presents for the first time a discussion among European historians on the European public sphere since the 1950s. It treats the general perspective and deals also in special articles with the role played by the European Union, by the Council of Europe, and by national media such as television and film. The volume shows that the role of the European public sphere is often underestimated and that it is gradually becoming more influential and forceful not only in politics, but also in culture. Sous la direction de quatre spécialistes renommés de l'histoire européenne, cet ouvrage présente de façon inédite un débat entre histor...
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No detailed description available for "Farewell, Revolution".
Over the last three decades, numerous radical right populist parties (RRPP) have emerged, developed, and strengthened their electoral weight in Western Europe. Yet, while several RRPP have managed to formally participate in government coalitions (such as in Italy, Austria, and Switzerland) or to informally support minority governments (such as in Denmark, and in The Netherlands) and while other RRPP have become highly visible opposition forces (such as in France, and Germany), the influence exercised by RRPP remain underexplored. It is essential to focus on their policy influence because of their electoral strength but also because they are often perceived by journalists, citizens, policy-ma...
This book discusses the treatment of cultural products within international trade law, focusing on preferential trade agreements. Trade and culture intersect when cultural products are involved. These mainly encompass cinema, broadcasting, music, videos, and publishing, either in traditional or digital formats. As such products reflect the cultural identities of states, they have led to a debate as to whether, or the extent to which, they should be exempted from trade obligations. With multilateral negotiations in gridlock, states have increasingly turned to preferential trade agreements. Concurrently, digital technologies have revolutionized how cultural contents are created and distributed...