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The Life and Work of William and Philip Hayes
  • Language: en
  • Pages: 406

The Life and Work of William and Philip Hayes

  • Type: Book
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  • Published: 2014-04-08
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  • Publisher: Routledge

First Published in 1996. William and Philip Hayes, father and son, between them occupied the Heather Chair of Music at the University of Oxford for over half a century (1741-97). Although they lived and worked largely outside the mainstream of London's cosmopolitan musical life, their outlook was surprisingly broad. The present study reveals them to have been two of the most important provincial musicians of their age, who as composers contributed to all the main genres of the time except opera.

Journals of the House of Commons
  • Language: en
  • Pages: 716

Journals of the House of Commons

  • Type: Book
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  • Published: 1803
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  • Publisher: Unknown

None

Fanfare
  • Language: en
  • Pages: 426

Fanfare

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

A Catalogue of the Guarneri House Collection of Rare Old Violins, Violas, Violoncellos, and Bows
  • Language: en
  • Pages: 43

A Catalogue of the Guarneri House Collection of Rare Old Violins, Violas, Violoncellos, and Bows

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

None

Journals of the House of Commons
  • Language: en
  • Pages: 750

Journals of the House of Commons

  • Type: Book
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  • Published: 1803
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  • Publisher: Unknown

None

Strings
  • Language: en
  • Pages: 938

Strings

  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

None

Performance Practice
  • Language: en
  • Pages: 542

Performance Practice

  • Type: Book
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  • Published: 2013-10-23
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  • Publisher: Routledge

Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

National Union Catalog
  • Language: en
  • Pages: 766

National Union Catalog

  • Type: Book
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  • Published: 1983
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  • Publisher: Unknown

None

The Baroque Clarinet and Chalumeau
  • Language: en
  • Pages: 337

The Baroque Clarinet and Chalumeau

The first edition of Albert R. Rice's The Baroque Clarinet is widely considered the authoritative text on the European clarinet during the first half of the eighteenth century. Since its publication in 1992, its conclusions have influenced the approaches of musicologists, instrument historians, and clarinet performers. Twenty-eight years later, Rice has updated his renowned study in a second edition, with new chapters on chalumeau and clarinet music, insights on newly found instruments and additional material on the Baroque clarinet in society. Expanding the volume to include the chalumeau, close cousin and predecessor to the clarinet, Rice draws on nearly three decades of new research on th...

Divas and Scholars
  • Language: en
  • Pages: 788

Divas and Scholars

"Divas and Scholars" is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett's personal experiences of triumphant - and even failed - performances and suffused with his towering passion for music. Gossett, the world's leading authority on the performance of Italian opera, brings to life the problems, and occasionally the scandals, that attend the production of some of our favorite operas.Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations between what is written and how it is interpreted by opera conductors and performers.