You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This multidimensional collection of essays explores the interrelation of religion, cultural identity, politics, literature, myth, and memory during the Roman Empire by focusing on the cultural dynamics embedded in and surrounding Philostratus s Heroikos, an early third-century C.E. dialogue about Homer and the heroes of the Trojan War. The essays focus on ritual and literary dimensions of hero cult; cultural and community identity reflected in the Heroikos and in early Christianity; and the cultural, literary, and political turn toward heroes in the negotiation of difference, particularly with those outside the Roman Empire. Contributors to this volume include classicists, archaeologists, ancient historians, and scholars of early Christianity: Ellen Bradshaw Aitken, Susan E. Alcock, Hans Dieter Betz, Alain Blomart, Walter Burkert, Casey Dué, Simone Follet, Sidney H. Griffith, Jackson P. Hershbell, Christopher Jones, Jennifer K. Berenson Maclean, Francesca Mestre, Gregory Nagy, Corinne Ondine Pache, Jeffrey Rusten, M. Rahim Shayegan, James C. Skedros, and Tim Whitmarsh.Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
This book covers the many varied works of Philostratus, the great essayist, biographer and historian of Greek culture in the Roman world.
This study of Philostratus , first published in 1986, presents the Greek biographer’s treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob. Through him we gain a glimpse of the rhetorical schools and their rivalries, as well as a bizarre portrayal of the celebrated first-century holy man Apollonius of Tyana, long loathed by his later Christian press as a Pagan Christ. Rarely does a biographer’s reputation revolve round the charge that he forged his principal source. Graham Anderson’s account produces new evidence which supports Philostratus’ credibility, but it also extends the charges of ignorance and bias in his handling of fellow-sophists. Philostratus is intended for any reader interested in the social, cultural and literary history of the Roman Empire as well as the professional classicist.
None
In this collection of interpretative essays on Flavius Philostratusa (TM) "Vita Apollonii," leading scholars and younger critics make for a combination of methodological continuity and innovation. The wide range of approaches does justice to the texta (TM)s high level of literary, historical and philosophical-religious sophistication.
Philostratus is one of the greatest examples of the vitality and inventiveness of the Greek culture of his period, at once a one-man summation of contemporary tastes and interests and a strikingly individual re-inventor of the traditions in which he was steeped. This Roman-era engagement with the already classical past set important precedents for later understandings of classical art, literature and culture. This volume examines the ways in which the labyrinthine Corpus Philostrateum represents and interrogates the nature of interpretation and the interpreting subject. Taking ‘interpretation’ broadly as the production of meaning from objects that are considered to bear some less than obvious significance, it examines the very different interpreter figures presented: Apollonius of Tyana as interpreter of omens, dreams and art-works; an unnamed Vinetender and the dead Protesilaus as interpreters of heroes; and the sophist who emotively describes a gallery full of paintings, depicting in the process both the techniques of educated viewing and the various errors and illusions into which a viewer can fall.
This volume presents kindred works important for evidence relating to late Greek art. They are attributed to two men each known as Philostratus and to a third man called Callistratus, otherwise unknown. To an elder Philostratus, the Lemnian, born ca. AD 190, junior kinsman of the Philostratus who wrote the Life of Apollonius of Tyana and Lives of the Sophists, is attributed the series of 65 'Eikones' or 'Imagines', descriptions (in two books) ostensibly of paintings in a gallery at Naples. A younger Philostratus, apparently his grandson, is credited with 17 similar descriptions. The 14 'Ekphraseis' attributed to Callistratus are descriptions of statues in stone and bronze, written probably in the fourth century AD. It is not known to what extent the descriptions are of real works of art, but they show how artists treated their subjects, and are written with some artistic knowledge. Yet rhetorical skill dominates: these pieces were written to display the writers' powers of descriptions. -- jacket.
This English translation, with introduction and notes, an extensive glossary, maps, and topical bibliographies, explores religious authority and revealed knowledge and is indispensable for the study of Homer, heroes, literature, religion, and culture in the Roman Empire and Late Antiquity. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).