You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.
Italian visual artist Andrea Dojmi captures the essence of being a child in the 1970s through this unique art project presented in book form. Edited by Raffaella Guidobono, 'Aimready' celebrates infancy, the time and place where no rules apply. Revisiting the actual and mental spaces of his own childhood, Dojmi creates a family album of digitally altered photographs that are both familiar and uncanny.
Photographers have taken pictures of England's buildings and landscapes since the invention of the medium, making images of the traces of past societies as well as photographing the new buildings around them. They have done so for many reasons: to capture the picturesque; to make a living or a souvenir; to promote or to condemn; to record what is disappearing or to reveal what is normally hidden. The formats and types of photograph they have used have been, over time, just as various, from the rare and special image, such as the first calotype, to the ubiquitous digital photograph. Collectively these photographers, both famous and anonymous, have changed the way we see and understand our env...
Historical aerial photographs are an often overlooked source of information for archaeological, historical and landscape research. This monograph provides an overview and introduction to the collections which found their origin in the First World War and which are amongst the earliest systematic aerial collections. Along the Western Front from the end of 1915 onwards, aerial photo-reconnaissance units were sent out to record the outline of the enemy’s defences. The photographs were produced by an almost industrial process, brought together over four years, and survive in large quantities; archival collections are spread out across Europe, the United States and even Australia. The most impo...
Bedford Lemere and Co was the pre-eminent English firm of architectural photographers from 1890-1930, a time of extraordinary change and unparalleled optimism. Complemented with an informative introduction and captions by the author, this book will appeal to anyone with an interest inphotography, architecture and social history.
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. The Polaroid Book, a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favorite among artists for its quirky look and instantly gratifying, one-of-kind images. ? over 400 works from the Polaroid Collection ? essay by Polaroid's Barbara Hitchcock illuminating the beginnings and history of the collection ? technical reference section featuring the various types of Polaroid cameras
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Mus...
With increasingly accessible camera technology, crowdsourced public media projects abound like never before. Such projects often seek to secure a snapshot of a single day in order to establish communities and create visual time capsules for the future. Mass Photography: Collective Histories of Everyday Life assesses the potential of these popular moment-in-time projects by examining their current day prevalence and their historical predecessors. Through archival research and interviews with organisers and participants, it examines, for the first time, the vast photographic collections resulting from such projects, analysing their structures and systems, their aims and objectives, and their claims and promises. The central case study is the 55,000 photographs submitted to One Day for Life in 1987, which aimed, in its own time, to be ‘the biggest photographic event the world had ever seen’.