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Born on the cusp of democracy, the crew of young friends in Born Freeloaders navigates a life of drinking, wild parties and other recklessness. The siblings at the centre of the novel, Nthabiseng and Xolani, have been raised in an upper middle-class family with connections to the political elite. Nthabiseng is lauded by her peers as she whimsically goes through life, unable to form her own identity in a world that expects her to pick a side in the fractured classifications of race. Xolani, not having known his late father, longs for acceptance from an uncle who sees him and his generation as the bitter fruit borne of a freedom he and countless others fought for. As the story moves across multiple spaces in the nation’s capital over a weekend, Born Freeloaders captures a political and cultural moment in the city’s and South Africa’s history. Interwoven is an analogous tale of the country’s colonisation and the consequences that follow. And alongside the friends’ uneasy awareness of their privilege is a heightened sense of discomfort at their inability to change the world they were born into.
The Fatuous State of Severity is a fresh collection of short stories and illustrations that explores themes surrounding the experiences of a generation of young, urban South Africans coping with the tensions of social media, language insecurities and relationships of various kinds. Intense and provocative, this new edition of the book, which was first self-published in 2016, features six additional stories as well as an introductory essay on Phumlani Pikoli's publishing journey.
The Fatuous State of Severity is a fresh collection of short stories and illustrations that explores themes surrounding the experiences of a generation of young, urban South Africans coping with the tensions of social media, language insecurities and relationships of various kinds. Intense and provocative, this new edition of the book, which was first self-published in 2016, features six additional stories as well as an introductory essay on Phumlani Pikoli’s publishing journey.
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African th...
‘Brave, poetic, brutal, always honest. By leading the reader through his chaotic childhood and immersing us in a mental health treatment centre, Lesedi forces us to confront conversations that are often hard to have. I was moved and challenged.’ – GAVIN WEALE So here I am, at a psychiatric hospital, looking for myself in a building I’ve never been to before. A few nights ago, I was ready to rid myself of myself. I still am, only, in a different way ... Patient 12A is Lesedi Molefi’s absorbing memoir, reflecting on his time spent in a psychiatric clinic in 2016. With vulnerability and candour, Lesedi reflects on the moments, large and small, that led him there. It is at once a personal history, an observation of how childhood experiences can have a profound effect on the adults we become, and a commentary on how mental illness remains a difficult conversation in black families. More than anything, in Patient 12A, Lesedi allows himself to filter out the noise in his head to find the truth, however uncomfortable that may be.
Family is complicated ... Meet the Mafus, a close-knit, traditional family with three daughters. As leaders of their church, The Kingdom of God, Pastor Abraham and his wife Phumla are guiding the community of Bulawayo in faith, while trying to keep the different branches of their family intact. Independent and feisty Xoliswa returns home, after a hiatus abroad, hoping for a fresh start and a chance to steer the family business; rebellious Yandisa has met the love of her life and is finally getting her act together; while dutiful newlywed Zandile is slowly becoming disillusioned with her happily ever after. The Mafus always present a united front, but as their personal lives unravel, devastating secrets are revealed that threaten to tear the family apart. For how long will they be able to hide behind the façade of a picture-perfect family?
P is for Pussy is a raunchy alphabet picture book of double entendres. The book is designed as much for parents as it is for kids. The racy and humorous illustrations contain double meanings which supply learning and fun for the kids and illicit (hidden) laughs for parents.
Apartheid isn't over—so Malaika Wa Azania boldly argues in Memoirs of a Born Free, her account of growing up black in modern-day South Africa. Malaika was born in late 1991, as the white minority government was on its way out, making her a "Born Free"—the name given to the generation born after the end of apartheid. But Malaika's experience with institutionalized racism offers a view of South Africa that contradicts the implied racial liberation of the so-called Rainbow Nation. Recounting her upbringing in a black township racked by poverty and disease, the death of a beloved uncle at the hands of white police, and her alienation at multiracial schools, she evokes a country still held in thrall by de facto apartheid. She takes us through her anger and disillusionment with the myth of black liberation to the birth and development of her dedication to the black consciousness movement, which continues to be a guiding force in her life. A trenchant, audacious, and ultimately hopeful narrative, Memoirs of a Born Free introduces an important new voice in South African—and, indeed, global—activism.
Bright, articulate, and charismatic, former journalist and police spokesman McIntosh Polela has been on African television screens for many years. But behind a dazzling career, Polela’s troubled past haunts him. When he was a child, both his parents disappeared, leaving him and his sister Zinhle to suffer years of abuse. The story of Polela’s journey to uncover the truth, this candid autobiography shares the journalist’s turmoil as he confronts his father about his mother’s brutal death and faces the worst dilemma a son can ever confront: How can he possibly forgive when his father remains a remorseless, cruel, and heartless murderer?
‘Dr T’s voice – contemporary and thoroughly African – is vital in a country where too many women are taught to be ashamed of their bodies and their sexual desires, and too many men believe they should shame women.’ – SISONKE MSIMANG The indomitable Dr Tlaleng Mofokeng – affectionately known as Dr T – is passionate about making sexual health and well-being services available to all, regardless of their sexual and gender identities and their economic status. This updated edition of her bestselling book is filled with the specifics of sexual anatomy and health as well as advice and facts about pleasure and sexual rights, and includes additional resources along with new sections on coercive control as well as sex and pleasure during the time of COVID. Dr T, with her typically honest and warm approach, makes the reader feel comfortable reading about topics that are not always discussed freely, providing ALL the information that demystifies sex and sexuality in a way that is entertaining and enlightening.