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Masterpieces from the William Rubin Collection
An intimate look into the private collection of the legendary MoMA curator This volume documents the art collection of MoMA curator William Rubin (1927-2006) and his impact on modern art in the US. Renowned as Director of Painting and Sculpture at the Museum of Modern Art from 1967 to 1988, Rubin was recognized for his unprecedented acquisitions for MoMA's collection and the groundbreaking exhibitions that showcased them, which were accompanied by monographs that have become essential art historical reading. This publication focuses on Rubin's private collection, providing rare insights into how he lived, what he wrote and the objects with which he surrounded himself. This 400-page book accompanies a traveling international exhibition of the collection and is sumptuously illustrated with full-page plates and details.
Bedouin Culture in the Bible
The first contemporary analysis of Bedouin and biblical cultures sheds new light on biblical laws, practices, and Bedouin history Written by one of the world's leading scholars of Bedouin culture, this groundbreaking book sheds new light on significant points of convergence between Bedouin and early Israelite cultures, as manifested in the Hebrew Bible. Bailey compares Bedouin and biblical sources, identifying overlaps in economic activity, material culture, social values, social organization, laws, religious practices, and oral traditions. He also examines the question of whether some early Israelites were indeed nomads as the Bible presents them, offering a new angle on the controversy over their identity as well as new cultural perspectives to scholars of the Bible and the Bedouin alike.
American Paradise
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
Portraits by Ingres
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Animating the Antique
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the arch...
Annual Report
Reports for 1980- include also the Annual report of the National Council on the Arts.
Light as Experience and Imagination from Medieval to Modern Times
In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.
Emulation
This fascinating and elegant book tells the story of five painters at the center of events in Revolutionary France: Jacques-Louis David and his first cohort of precocious pupils, including the meteoric Jean-Germain Drouais and the astonishingly gifted but deeply troubled Anne-Louis Girodet. Written by a major art historian, it interprets in a new and original way the relationships between these men and the paintings they created. This new edition includes a revised introduction and incorporates the fruit of recent new research. "Crow combines excellent formal and stylistic analysis of particular paintings with close attention to the psychological complexities and political and social contexts of the artists’ lives. He delves deeply into David’s and his students’ thematic choices, compositional strategies and personal relations in order to make his overarching political and aesthetic arguments.”--Lynn Hunt, New Republic "A magisterial contribution to the history of art.”--Richard Cobb, The Spectator
