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Organized around eight core themes in aesthetics today, this book uncovers the complex development of Kant's aesthetic theory. It will be useful to advanced students and scholars in fields across the humanities and studies of the arts.
This 2006 volume provides the broadest and deepest introduction to Kant currently available.
The Critique of Practical Reason is the second of Kant's three Critiques, and his second work in moral theory after the Groundwork of the Metaphysics of Morals. Its systematic account of the authority of moral principles grounded in human autonomy unfolds Kant's considered views on morality and provides the keystone to his philosophical system. The essays in this volume shed light on the principal arguments of the second Critique and explore their relation to Kant's critical philosophy as a whole. They examine the genesis of the Critique, Kant's approach to the authority of the moral law given as a 'fact of reason', the metaphysics of free agency, the account of respect for morality as the moral motive, and questions raised by the 'primacy of practical reason' and the idea of the 'postulates'. Engaging and critical, this volume will be invaluable to advanced students and scholars of Kant and to moral theorists alike.
In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting—especially a landscape painting—replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant’s account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential...
An original study of spontaneity in Kant, a central yet neglected concept that is relevant to all aspects of his philosophy.
This volume contains the proceedings of a panel on the feminist work of Herta Nagl-Docekal, organized by Gertrude Postl within the context of a conference of the Association for Philosophy and Literature (APL). It includes papers on the practical application of Nagl-Docekal's work for feminist counseling services (Bettina Zehetner), on the interconnection of moral philosophy and epistemology (Waltraud Ernst), on feminist aesthetics (Cornelia Esianu), and on Nagl- Docekal's contributions to a feminist philosophy of religion (Brigitte Buchhammer). It concludes with a response by Herta Nagl-Docekal.
Using a variety of critical perspectives, this text demonstrates a renewal of garden design and directions for garden aesthetics, analysing projects by Fernando Chacel (Brazil), Andy Goldsworthy (Great Britain), Charles Jencks (Great Britain), Patricia Johanson (U.S.) and Bernard Lassus (France).
Explores the relationship between self-knowledge, individuality, and personal development by reconstructing Kant's account of personhood.
A new approach to Kant's conception of virtue which grounds it in his innovative account of reflection and cognitive agency.