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Annotated selected list of floras and floristic works relating to vascular plants, including bibliographies and publications dealing with useful plants and vernacular names.
Reprint of the original, first published in 1870.
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing.
The social economy sector (SES) faces pressures for greater accountability to their funders, users, and citizens, and a growing need to report good practices in the social, economic, and financial impact that they have on the community. However, these entities often face difficulties related to the lack of an accounting framework that allows them to properly disseminate the results of their activities. Thus, practices that involve financial reporting and an assessment of their social, economic, and financial impact are needed to improve their accountability, sustainability, and operational performance. Modernization and Accountability in the Social Economy Sector is an essential reference source that discusses future avenues of development for the management of SES entities, accounting, control in SES management, and measures of performance in the SES. Featuring research on topics such as online communication, social accounting, and value reporting, this book is ideal for managers, financial consultants, academicians, researchers, and students interested in accounting, management, internal control, auditing, and technology use in the SES.
Winner of an Honorable Mention in the Professional/Scholarly Publishing Awards given by the Association of American Publishers Between 1618 and 1750, sixteen people—nine women and seven men—were brought to the attention of the ecclesiastical authorities in Venice because they were reporting visions, revelations, and special privileges from heaven. All were investigated, and most were put on trial by the Holy Office of the Inquisition on a charge of heresy under various rubrics that might be translated as "pretense of holiness." Anne Jacobson Schutte looks closely at the institutional, cultural, and religious contexts that gave rise to the phenomenon of visionaries in Venice. To explain t...