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Bulletin
  • Language: en
  • Pages: 180

Bulletin

  • Type: Book
  • -
  • Published: 1887
  • -
  • Publisher: Unknown

None

Athenaeum
  • Language: en
  • Pages: 912

Athenaeum

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

The Athenaeum
  • Language: en
  • Pages: 916

The Athenaeum

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

The Athenæum
  • Language: en
  • Pages: 908

The Athenæum

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

The Eclectic Review
  • Language: en
  • Pages: 634
L'ALIGHIERI
  • Language: en
  • Pages: 592

L'ALIGHIERI

  • Type: Book
  • -
  • Published: 1891
  • -
  • Publisher: Unknown

None

The Monthly Packet of Evening Readings for Members of the English Church
  • Language: en
  • Pages: 674

The Monthly Packet of Evening Readings for Members of the English Church

  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

Islam and the Divine Comedy
  • Language: en
  • Pages: 325

Islam and the Divine Comedy

  • Type: Book
  • -
  • Published: 2013-10-16
  • -
  • Publisher: Routledge

When first published in 1926 this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-`Arabi in particular, formed the basis of Dante’s poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity. The book shows how fundamental Muslim legends of the nocturnal journey and of the ascension of the Prophet Muhammed appear in Dante’s writings.

The Vernon Dante; with Other Dissertations
  • Language: en
  • Pages: 96

The Vernon Dante; with Other Dissertations

  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

Dante's New Life of the Book
  • Language: en
  • Pages: 278

Dante's New Life of the Book

  • Type: Book
  • -
  • Published: 2021
  • -
  • Publisher: Unknown

Dante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.