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Durrell and the City commemorates the fiftieth anniversary of the publication of The Alexandria Quartet with a collection of fourteen new essays by a group of international scholars and critics. The collection provides a critical consideration of Durrell's urban landscapes, from the London of his early novels to Avignon during World War II in his last great series, while focusing on the place that made him famous--the city of Alexandria--in order to provide a reassessment of his career and achievement.
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In the most comprehensive selection of his letters ever published, Norman Gates allows Richard Aldington to tell the story of his life in his own words. Unlike Aldington's autobiography, Life for Life's Sake, published twenty years before his death, these letters include those two important decades of his life and do not depend upon memory. Gates provides an introduction to each of the book's five sections, sketching Aldington's biography during that decade, but the reader may then listen to Aldington's own voice speaking through his letters. Richard Aldington was married to the American poet H. D. and was a friend to many other writers and artists at the center of the Modern period. His comments on his colleagues and their work, his efforts to promote their literary fortunes, his passionate love for two wives and two mistresses, are all a part of these letters. So, too, are his experiences on the editorial staffs of the Egoist and the Criterion, which brought him to touch with European and American writers. For a clear picture of the literary world of this time, Aldington's letters are indispensable.
This book is not the usual herbal; not a homeopathic handbook, a cookbook or a gardener’s consort; not even a compendium of history or lore, though these are its favourite pursuits. At heart, it is a tale of humanity’s poignant relationship with nature. Told in short vignettes, profusely illustrated and sprinkled with personal asides, it touches broadly on the role of plants in legend, in religion, in medicine, commerce, crafts and tradition, in literature, language, politics, beauty, in the rise and fall of empires, in food and manners, in love, in murder, and in crushing social passions. It selects from the trove of history and science moments that amaze, or shock, or move us to disbelief, and asks us to explore the uncanny bond between us and our non-speaking partners in creation.
A comprehensive reference guide to the published writings of Graham Greene, this book surveys not only Greene's literary work - including his fiction, poetry and drama - but also his other published writings. Accessibly organised over five central sections, the book provides the most up-to-date listing available of Greene's journalism, his published letters and major interviews. The Writings of Graham Greene also includes a bibliography of major secondary writings on Greene and a substantial and fully cross-referenced index to aid scholars and researchers working in the field of 20th Century literature.
Why do people tell dirty jokes? And what is it about a joke's dirtiness that makes it funny? G. Legman was perhaps the foremost scholar of the dirty joke, and as legions of humor writers and comedians know, his Rationale of the Dirty Joke remains the most exhaustive and authoritative study of the subject. More than two thousand jokes and folktales are presented, covering such topics as The Female Fool, The Fortunate Fart, Mutual Mismatching, and The Sex Machine. These folk texts are authentically transcribed in their innocent and sometimes violent entirety. Legman studies each for its historical and socioanalytic significance, revealing what these jokes mean to the people who tell them and to the people who listen and laugh. Here -- back in print -- is the definitive text for comedians and humor writers, Freudian scholars and late night television enthusiasts. Rationale of the Dirty Joke will amuse you, offend you, challenge you, and disgust you, all while demonstrating the intelligence and hilarity of the dirty joke.
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.