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Reading the Right Text
Reading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies. Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.
Untamed Shrews
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
China
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Madame Mao: The White-Boned Demon
This is the most complete and authoritative account of the childhood and tumultuous life of Jiang Qing, from her early years as an aspiring actress to her marriage and partnership with Mao Zedong, the controversial years of power after Mao's death, her final years of disgrace and imprisonment, and her suicide in 1991.
From Vagabond to Journalist
Beginning with Snow's youthful ambition to travel the globe and concluding with his notable, if unobtrusive, role in the reestablishment of diplomatic ties between America and China, Farnsworth weaves a spellbinding narrative. Snow's adventure in Asia began in Yokohama, where he landed as a stowaway from Hawaii. Then, just steps ahead of Japanese port police, he made his way to China, where he soon empathized with the suffering of the Chinese people and became curious about the role Communism might play in the rebellion against colonialism. As he traveled throughout the continent during the next thirteen years, Snow established contacts with many important people and won extraordinary personal access to the leaders of the Chinese Communist Party. In 1936 he became the first Western journalist to visit the Chinese Red forces and report on a detailed interview with Mao Tse-tung after the completion of the epic Long March.
The Politics Of Life
This anthology of work by three Asian American women playwrights—Wakako Yamauchi, Genny Lim, and Velina Hasu Houston—features pioneering contemporary writers who have made their mark in regional and ethnic theatres throughout the United States. In her introduction, Houston observes that the Asian American woman playwright is compelled "to mine her soul" and express the angst, fear, and rage that oppression has wrought while maintaining her relationship with America as a good citizen. The plays are rich with cultural and political substance and have a feminist concern about women's spirit, intellect, and lives. They portray Asian and Asian American women who challenge the cultural and sex...
