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Life History of William Lester Platt
A history of William Lester Platt, based on the reminiscences of his children, written in 1990.
The Platt Lineage
The Genealogy and Family History Collection is a unique set of materials that describes the histories and narratives of particular American families. The Collection brings to life pre-1923 books that contain information such as birth, death, marriage, property and migration records of specific families. Many of these families followed interesting migration and movement patterns from Western Europe and beyond to the United States well over 200 years ago. Included in these volumes is information such as last wills and testaments, period photographs of towns, buildings and landscapes, portraits of family members, and descriptions of business interactions. Encompassing such comprehensive and personal information, this collection will appeal to genealogists, family history researchers, as well as descendants and casual historians.
Family Reunion
Every summer, the Lewis family gathers in Savannah, Georgia, for a family reunion. This year is the 75th anniversary! Ana & Andrew go on a road trip, swim and play with their cousins, and learn about the importance of family. Aligned to Common Core standards and correlated to state standards. Calico Kid is an imprint of Magic Wagon, a division of ABDO.
Polly Platt
This book examines the career and creative labour of production designer Polly Platt. It focuses mainly on her contributions to 1970s Hollywood, but also considers her later work. Considering films such as The Last Picture Show, Paper Moon, The Bad News Bears, and The Witches of Eastwick, it argues that Platt’s construction of their visual palette and mise-en-scène was so creative and so comprehensive that it can be considered authorial. Chapters discuss Platt’s life and its influence on her work, her attention to detail, her role in location decisions and costume design, and her use of colour. An epilogue discusses her later career as a producer and her mentorship to young filmmakers like Cameron Crowe and Wes Anderson. This is the first full-length examination of the career of one of the women practitioners whose work was so important to 1970s cinema, and provides an alternative methodology to the auteur-driven framing that so regularly defines the era.
