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Modern Poetry after Modernism
  • Language: en
  • Pages: 222

Modern Poetry after Modernism

In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of postmodern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets--John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur--Longenbach reveals that American poets since mid- century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time-- without asking us to choose between them.

The Universal Deep Structure of Modern Poetry
  • Language: en
  • Pages: 255

The Universal Deep Structure of Modern Poetry

With something of a poetry renaissance currently under way worldwide, there is now, more than ever, a need for a solidly-based methodology for interpreting poems: something more empirical than traditional ‘lit-crit’ approaches, and something more linguistically-informed than the version of ‘postmodernism’ rampant in certain Anglophone universities. The latter approach, which tends to allow the individual reader to do what he/she likes with a poetic text, is inadequate to interpret modernist poetry, whose English-language precursors may be found in the late Romantics; its pioneers were already writing (in France) as early as 1840. What is so different about the modernists?...

The Modern Poetic Sequence
  • Language: en
  • Pages: 536

The Modern Poetic Sequence

None

Modern Visual Poetry
  • Language: en
  • Pages: 328

Modern Visual Poetry

Far from frivolous playthings, modern visual poems represent serious experiments. Together with other members of the avant-grade, the visual poets sought to restructure the basic vision of reality that they inherited from their predecessors. This statement describes contemporary visual poets as well who, like their earlier colleagues, strive to say things that are more meaningful in ways that are more meaningful."--BOOK JACKET.

The Bloodaxe Book of Modern Welsh Poetry
  • Language: en
  • Pages: 454

The Bloodaxe Book of Modern Welsh Poetry

Welsh is the oldest surviving Celtic language, and the most flourishing. For around fifteen centuries Welsh poets have expressed an intense awareness of what it is like to be human in this part of the world in poems of extraordinary range and depth. And despite the global tendency towards homogenisation, Welsh poets have fought back, drawing inspiration from both the traditional and the contemporary to forge a new and rainbow-like modernism. This wide-ranging anthology of 20th-century Welsh-language poetry in English translation - by far the most comprehensive of its kind - will be a revelation for most readers. It will dispel the romantic images of Welsh poets as bards or druids and blow aw...

Modern Poetry
  • Language: en
  • Pages: 214

Modern Poetry

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The Great Modern Poets
  • Language: en
  • Pages: 224

The Great Modern Poets

Provides an introduction to the twentieth and twenty-first century poets and their best poetry. This work features insight, observations, and a historical context for each poet and their work.

Power, Plain English, and the Rise of Modern Poetry
  • Language: en
  • Pages: 224

Power, Plain English, and the Rise of Modern Poetry

DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div

Strong Words
  • Language: en
  • Pages: 328

Strong Words

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.

Modern American Poetry, Modern British Poetry
  • Language: en
  • Pages: 1280

Modern American Poetry, Modern British Poetry

  • Type: Book
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  • Published: 1942
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  • Publisher: Unknown

Anthology of poetry from the major American poets, includes brief biographies and a list of other poets.