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Little Glass Planet
The poems in Dobby Gibson’s new book transform the everyday into the revelatory Little Glass Planet exults in the strangeness of the known and unknowable world. In poems set as far afield as Mumbai and Marfa, Texas, Dobby Gibson maps disparate landscapes, both terrestrial and subliminal, to reveal the drama of the quotidian. Aphoristic, allusive, and collaged, these poems mine our various human languages to help us understand what we might mean when we speak to each other—as lovers, as family, as strangers. Little Glass Planet uses lyric broadcasts to foreshorten the perceived distances between us, opening borders and pointing toward a sense of collectivity. “This is my love letter to the world,” Gibson writes, “someone call us a sitter. / We’re going to be here a while.” Elegiac, funny, and candid, Little Glass Planet is a kind of manual for paying attention to a world that is increasingly engineered to distract us from our own humanity. It’s a book that points toward hope, offering the possibilities of a “we” that only the open frequency of poetry can create, possibilities that are indistinguishable from love.
Planet News
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Coyote's Soundbite
Excitement spreads like wildfire through the jungle. Earth-goddesses are planning a conference! From Australia to Antarctica, Amazon to Africa, goddesses will debate the burning environmental issues of our times . . . and bushy-tailed, smooth-talking Coyote wants in on the action. Can this infamous trickster come up with a plan to infiltrate the conference and leave a lasting legacy for our planet? This is a rip-roaring poem by a master poet.
What Planet
The poems in Miriam Gamble's third collection journey surreally through scenes and landscapes at once of the world and of the mind: in these questing missives from 'reality's upended cage', 'nothing can be claimed self-evident'. By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world. Rhythmically propulsive and dizzyingly inter-connective, Gamble's new work is as formally adventurous as it is conceptually distinctive, stretching syntax, jumbling the solid and spectral, crossing borders of time and space. Yet this is also a collection pained by loss, and passionate to connect with a life's 'vacated' corners - even if the act of remembering is as much creation as recovery.
Train to Agra
Calling upon two cultures, Vandana Khanna’s Train to Agra meditates on the effects of displacement and expatriation on the construction of a young Indian American woman’s identity. The physical journeys undertaken by the speaker reflect her inner journey from immigrant child to Indian American woman, struggling to find her place between India and America, Krishna and Jesus, samosas and hamburgers. The speaker constantly tries to recapture visions, smells, and sounds of her childhood and her travels, but cannot do so without imagination. Her memory fails her, so through metaphor she invents her past as it should have been. Traveling through her reflections on childhood, fate, faith, death, and belonging, she comes to accept her reality as a construct of lived memories and wished-for fantasies.
My Silver Planet
Reveals the hidden origins of kitsch in poetry from the eighteenth century. Taking its title from John Keats, My Silver Planet contends that the problem of elite poetry’s relation to popular culture bears the indelible mark of its turbulent incorporation of vernacular poetry—a legacy shaped by nostalgia, contempt, and fraudulence. Daniel Tiffany reactivates and fundamentally redefines the concept of kitsch, freeing it from modernist misapprehension and ridicule, by tracing its origin to poetry’s alienation from the emergent category of literature. Tiffany excavates the forgotten history of poetry’s relation to kitsch, beginning with the exuberant revival of archaic (and often spuriou...
Danger Days
The poems in Catherine Pierce's new Danger Days celebrate our planet while also bearing witness to its collapse. In poems steeped deep in the 21st century, Pierce weaves superblooms and Legos, gun violence and ghosts, glaciers and contaminant masks, urging us to look closely at both the horror and beauty of our world. As Pierce writes in "Planet," "I'm trying to see this place even as I'm walking through it."
Voices of the Aspirants
Aspiring Writers Of POETRY PLANET Group
Poems from a Green and Blue Planet
A GUARDIAN CHILDREN'S BOOK OF THE YEAR 2019, this stunning collection of new and classic poems from around the world celebrates the diversity of life on our green and blue planet, to be shared with all the family. With new poems from Raymond Antrobus, Mona Arshi, Kate Tempest, Hollie McNish, Dean Atta, Sabrina Mahfouz and more. Dive into this book and be swept away on a journey around our green and blue planet, from the peak of the snowiest mountaintop to the bottom of the deepest, bluest ocean. Meet the birds circling its skies, the beasts prowling its plains, and the people toiling in its fields and forests and cities... Explore all the worlds that make up our world, and hear the voices, past and present, that sing out from it. From haikus to sonnets, from rap to the Romantics, this joyous collection celebrates life in all corners of our beautiful planet.
Green Poems for a Blue Planet
Tiger Tiger burning bright, Gone from forests of the night. Who will listen to your plight Tiger Tiger out of sight? Witty, whimsical, thought-provoking and meant seriously despite their light-hearted tone, here are 50 poems highlighting the threat humankind poses to the future of the planet.
