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"This expanded edition of Postwar Polish Poetry (which was originally published in 1965) presents 125 poems by 25 poets, including Czeslaw Milosz and other Polish poets living outside Poland. The stress of the anthology is on poetry written after 1956, the year when the lifting of censorship and the berakdown of doctrines provoked and explosion of new schools and talents. The victory of Solidarity in August 1980 once again opened new vistas for a short time; the coup of December closed that chapter. It is too early yet to predict the impact these events will have on the future of Polish poetry." From Amazon.
Six Polish Poets makes available to the English-language reader the poetry of the younger generation of poets who whose first collections (with one exception) have been published in the past decade. Unlike the poets of the previous generation who, in the period of new-found freedom after the fall of communism, adopted a highly individualistic, anarchic, sometimes brutal style, the poets represented here re-examine and experiment with traditional poetic forms, themes and cultural references in poems that are refined and witty, moving and informed, ranging across every aspect of human existence. This anthology is both thought-provoking and full of warmth and humanity, and while it cannot claim to be representative of contemporary Polish poetry as a whole, it nevertheless provides an insight into today's literary scene in Poland. Parallel text: Polish / English
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An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape...
Traces the course of Polish poetry from Norwid to the New Wave, virtually the whole of this century.--Polish Heritage. "Informative and engaging...Composed of three distinctly structured sections. The first, the most ambitious...consists of two essays by Czerniawski that together attempt to provide a background for the rest of the contributions...In Part 2, seven English writers comment on a single Polish poem that is particularly meaningful to them. These are light but intriguing...The third section is composed of ten solid essays in literary criticism by English writers who know Polish poetry only in translation and by emigre Polish writers and scholars. The blend of interests and perspectives is particularly effective and fascinating. Recommended for the general reader of poetry, graduate and upper-division undergraduate levels."--Choice.
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape ...