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Russia in the Nineteenth Century
This covers the history of Russia from the defeat of Napoleon to the eve of World War I. It is the first such work by a post-Soviet Russian scholar to appear in English. It examines the decay of the two central institutions of tsarist Russia: serfdom and autocracy; the major social groups and how they reacted to the Great Reforms.
Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism
Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism is a multifaceted account of the engagement between religion and the secular in Russia's Christian, Jewish, and atheist traditions. Ana Siljak brings together an interdisciplinary group of leading scholars to present unique perspectives on the secularization dynamic in Russia and the Soviet Union, telling stories about theologians, sects, churches, poets, and artists. From the Jewish Christian priest Alexander Men, to the cross-dressing poet Zinaida Gippius, to the Soviet promoter of Yiddish theater Solomon Mikhoels, Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism gives a voice to a variety of actors who have grappled with the possibilities of faith and unbelief in an industrialized, modern, and seemingly secular world. Now more than ever, as one narrative of Russia's religious history dominates official Russian accounts, alternative perspectives of the relationship between Russian religion and secularism should be highlighted and emphasized.
Theatre and Identity in Imperial Russia
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary...
Russian Liberalism
Russian Liberalism charts the development of liberal ideas and political organizations in Russia as well as the implementation of liberal reforms by the Russian and Soviet governments at various points in time. Paul Robinson's comprehensive survey covers the entire period from the late eighteenth century to the present day. Robinson demonstrates that liberalism has always lacked strong roots in the Russian population, being largely espoused by a narrow group of intellectuals whose culture it has reflected, and has tended toward a form of historical determinism that sees Russia as destined to become like the West. Many see the current political struggle between Russia and the West as being in part a conflict between the liberal West and an illiberal Russia. By explaining the historical causes of liberalism's failure in that country, Russian Liberalism offers an understanding of a significant aspect of contemporary international affairs. After Putin's February 2022 invasion of Ukraine, understanding Russian political thought is a matter of considerable importance.
Migration and Membership Regimes in Global and Historical Perspective
Migration and Membership Regimes brings together ten essays on the history of settlement and migration in an analytical framework which reconceptualises the migrant-state relationship and explores the variety of membership regimes on five continents and over two millennia.
The Russian Dilemma
From the end of the Mongol Empire to today, Russian history is a tale of cultural, political, economic and military interaction with Western powers. The depth of this relationship has created a geopolitical dilemma: Russia has persistently been both attracted to and at odds with Western ideas and technological development, which have tended to threaten Russia's sense of identity and create destabilizing divisions within society. Simultaneously, deepening involvement in Western international affairs brought meddling in Russian domestic politics and military invasion. This book examines how the centuries-old Western threat has shaped Russia's political and strategic structures, creating a culture of security rooted in vigilance against Western influence and interference.
Writing Russia
Writing Russia offers the first systematic analysis of Anglophone national histories of Russia. By deconstructing preeminent historical works on the history of Russia, this book provides insight into the hidden ideological underpinnings of the texts and their representations of Russia in the West. It demonstrates that historians employ a range of literary techniques to smooth over contradictions in their narratives of Russia, generating a seemingly cohesive depiction of Russia as a liminal, Other nation. This is a process that this book theorises as "discordus", representing an original conceptual framework for examining national history texts. It identifies patterns in the language and emplotment of Anglophone Russian histories across several defining historical epochs from the Mongol conquests to the Putin presidency, revealing the extent to which historians wield the narrative power to "make or break" nations. Postmodern in approach, the work pushes the boundaries of historiography and calls into question the nature of history.
At the Margins of Orthodoxy
In a period of dramatic social change, when Orthodoxy and nationalism were the twin pillars of the Russian state, how did the tsarist bureaucracy govern an expansive realm inhabited by the peoples of many nations and ethnicities professing various faiths? Did the nature of tsarist rule change over time, and did it vary from region to region? Paul W. Werth considers these large questions in his survey of imperial Russian rule in the vast Volga-Kama region. First conquered in the sixteenth century, the Volga-Kama lands were by the nineteenth century both part of the Russian heartland and resolutely "other"—the home of a mix of Slavic, Finnic, and Turkic peoples where the urge to assimilate w...
Selling the Story
A literary scholar and investment banker applies economic criticism to canonical novels, dramatically changing the way we read these classics and proposing a new model for how economics can inform literary analysis. Every writer is a player in the marketplace for literature. Jonathan Paine locates the economics ingrained within the stories themselves, revealing how a text provides a record of its author’s attempt to sell the story to his or her readers. An unusual literary scholar with a background in finance, Paine mines stories for evidence of the conditions of their production. Through his wholly original reading, Balzac’s The Splendors and Miseries of Courtesans becomes a secret diar...
