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A highly readable account of the development of English miniature painting featuring masterpieces from the VandA's collection, which contains some of the finest examples in existence.
Study the dynamic art of portrait miniatures in Portrait Miniatures From the Time of Holbein to That of Sir William Ross: a Handbook for Collectors by art historian George Williamson, which surveys the works of the artists who made portrait miniatures. Williamson explains that the practice of portrait miniature originated in manuscript illustration, and may also be an outgrowth of treaties and maps, which often attached portraits of ambassadors for verification. "Miniature" in this context refers to the fact that the paintings were actually portable. The book begins with a 40-page essay and is followed by dozens of reproductions of the paintings discussed within the text. Williamson identifi...
Portrait Miniatures from the Merchistion Collection is the fifth in a series of titles which examines the portrait miniature. This collection, which has never been on public display, was assembled on the London art market during the 1970s and 1980s. Scottish miniaturists from the late eighteenth and early nineteenth centuries are particularly well represented with fine works by Scouler, Bogle, and Skirving and Sir William Charles Ross. Of outstanding interest is Nicholas Hilliard's matching pair of tiny lockets of Queen Elizabeth and her admirer Robert Dudley, Earl of Leicester. Stephen Lloyd's essay discusses the formation of the collection and the impact of the invention of photography on the art of miniature painting. It also explores the social history of the miniature. Twenty of the key works are illustrated in colour, with extended captions, and a complete list of the collection is also included.
This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the ...
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