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This book is a documentation of significant practicing painters and sculptors of Greater Pre-Independence India between 1750 and 1950. The task of collecting this scattered material of Colonial-era to the united India, lead to search for names of artists from Pakistan, Sri Lanka, Nepal, Bangladesh and of course India. This register records almost 3000 names of practicing Indian artists, gathered assiduously from National archives, Museum records, rare old journals and books, and present living family members of deceased artists. In the absence of a legitimate record of the names of these forgotten artists names of many famous court painters under the patronage of Kings, Nawabs, and local rulers have been pushed into oblivion, with their works described in generalized terms, like coming from the ‘Colonial Period’ or ‘Post Mughal Period’, with a short description of a few painting styles of Provincial Schools.This book is the first of its kind and a small step towards giving recognition to these lost artists. Roop Narayan Batham
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Did Osho truly die a natural death? Or were there other forces at play? 27 years after Osho's death, investigative journalist Abhay Vaidya reveals shocking details of the case that he tracked for nearly three decades. Osho's death on 19th January, 1990 triggered intense factional fights and intrigue among his closest followers for the control of the funds, intellectual properties and other lucrative assets of the Movement. Who Killed Osho? not only captures the history of the Movement but is also the definitive account to date of Osho’s death and that of his soulmate, Nirvano. Throwing fresh light on the controversial circumstances of their deaths, this book makes a case for investigations into the affairs of the Osho trusts as they exist today.
From Ajanta to Yantra, with over 1300 entries on painting, drawing, prints sculpture, galleries and institutions, including more than 300 colour illustrations, Dictionary of Indian Art & Artists presents a comprehensive picture of the world of art in India. The first book to focus exclusively on the evolution and context of Indian art, it provides a roadmap for the artist, student, art-professional and art-lover to discover or gain advance knowledge on movements, monuments and institutions that represent the creative force of Indian art. Utilising extensive cross referencing, links are made between artists, concepts, techniques and various schools of art.