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A Parent's Guide to Emotional Literacy (Primary School)
Developed around real world case studies and inputs from professionals in the field of teaching and psychology, this guide seeks to introduce parents to emotional literacy and strategies to develop emotional resilience in their children.
Whirlpool Life
Set in 1950s’ Madras, the story revolves around Anand and Priya, who briefly interacted when they lived in an orphanage fleetingly during their childhood. In his search for Priya, Anand comes across the Kesavans. A warm family, they are benevolence personified who take him in as their own almost immediately. The story slowly unravels as life throws up several challenges for Anand and the people in his life. Thriving on complex human feelings, psychologies, expectations and revelations, Whirpool of Life presents human existence in its ever-changing form, as one man and his long-lost love try to help and provide for those who are less fortunate than them.
The Red Monster And Other Inovative Tale
The Red Monster is the tale of a postal runner who falls prey to a mail van.
That Long Silence
Jay'S Life Comes Apart At The Seams When Her Husband Is Asked To Leave His Job While Allegations Of Business Malpractice Against Him Are Investigated. Her Familiar Existence Disrupted, Her Husband'S Reputation In Question And Their Future As A Family In Jeopardy, Jaya, A Failed Writer, Is Haunted By Memories Of The Past. Differences With Her Husband, Frustrations In Their Seventeen-Year-Old Marriage, Disappointment In Her Two Teenage Children, The Claustrophia Of Her Childhood&Amp;Mdash;All Begin To Surface. In Her Small Suburban Bombay Flat, Jaya Grapples With These And Other Truths About Herself&Amp;Mdash;Among Them Her Failure At Writing And Her Fear Of Anger. Shashi Deshpande Gives Us An Exceptionally Accomplished Portrayal Of A Woman Trying To Erase A 'Long Silence' Begun In Childhood And Rooted In Herself And In The Constraints Of Her Life.
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Encyclopaedia of Indian Cinema
Drawing on the work of a large team of specialists, this book contains 500 entries on all the leading directors, stars, studios and genres in Indian cinema. In addition to comprehensive filmographies, it also features 1450 entries on key films from all periods and regions, with cast and credits as well as concise critical evaluations. A chronicle of film history, together with basic production statistics and an index, complete the volume.
From My Guy to Sci-fi
La obra, surgida a raiz de unas conferencias impartidas en el institute of contemporary arts de londres en 1988, reune estudios feministas sobre el debate de los generos literarios, el modo en el que las escritoras los emplean y las cuestiones culturales mas amplias que suscitan. Para la critica feminista de finales de los 80, han sido cruciales para este debate las dos ultimas decadas. Se investigan las posibilidades y problemas de la critica feminista dirigida a los tiempos posmodernos y se examinan diferentes generos, desde la novela hasta la autobiografia. Tambien se tratan las relaciones politicas que las escritoras asiaticas y caribeñas tienen con tradiciones y formas que no expresan sus propias identidades politicas y artisticas.
Encyclopedia of Indian Cinema
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
