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Alfonso de la Torre's Visión Deleytable
The sources, content and fate of the 15th-century allegorical fable Visión Deleytable are examined from three angles: as a medieval compendium of religious philosophy, as a major influence in Spanish literature, and as an invaluable historical source on Jewish-Christian interactions in medieval Spain. The volume is divided into three sections. The first part considers Visión's didacticism within the Jewish and Christian frames of education in 15th-century Spain. The second part includes a review of Visión's philosophical content as a comprehensive articulation of a rationalist Weltanschauung. The final section traces its intriguing editorial fate and literary influence through the 17th century in Spain, Italy and the Netherlands. It is Visión's first systematic study from the dual perspective of a Hispanist and a Hebraist.
Pictorial Narrative in the Romanesque Cloister
Praised as paradisiacal or denounced as impious fantasy, the sculpture of Romanesque cloisters played a powerful role in medieval monastic life. This book demonstrates how sculpture in the cloister, the physical and spiritual heart of the religious foundation, could be shrewdly configured to articulate the most influential ideals and experiences of its individual community. Taking as its focus the visually rich, highly organized narrative programs of three twelfth-century Spanish cloisters, this book reveals the power of such imagery to reflect and reinforce the social and spiritual preoccupations of its age.
If Not, Not
In the 1560's and the 1570’s, several authors outside of Spain recorded the text of an oath supposedly uttered by the Aragonese people when they received their king. While most modern historians doubt the authenticity of the oath, they agree that it has frequently served the purposes of political propaganda whenever an Aragonese patriot has wished to epitomize his nation’s tradition of resistance to tyranny. This book studies the oath "We, who are worth as much as you, take you as our king, provided that you preserve our laws and liberties, and if not, not" as an example of historiographical fiction which belongs to a complex of legal-historical legends about the origins of Aragon. Origi...
The Manufactories and Manufacturers of Pennsylvania of the Nineteenth Century
Reprint of the original, first published in 1875.
The Queens Regnant of Navarre
The five queens of Navarre were the largest group of female sovereigns in one European realm during the Middle Ages, but they are largely unknown beyond a regional audience. This survey fills this scholarly lacuna, focusing particularly on issues of female succession, agency, and power-sharing dynamic between the queens and their male consorts.
Christian Martyrs Under Islam
A look at the developing conflicts in Christian-Muslim relations during late antiquity and the early Islamic era How did the medieval Middle East transform from a majority-Christian world to a majority-Muslim world, and what role did violence play in this process? Christian Martyrs under Islam explains how Christians across the early Islamic caliphate slowly converted to the faith of the Arab conquerors and how small groups of individuals rejected this faith through dramatic acts of resistance, including apostasy and blasphemy. Using previously untapped sources in a range of Middle Eastern languages, Christian Sahner introduces an unknown group of martyrs who were executed at the hands of Mu...
A Bishopric Between Three Kingdoms
This book explores the peculiarities of the Bishopric of Calahorra’s eleventh- and twelfth-century institutional development, and their profound relationship to the see’s location on a highly volatile frontier between the emergent and fiercely competitive Christian kingdoms of north-eastern Iberia.
Marian Devotion in Thirteenth-century French Lyric
Texts centred on the mother of Jesus abound in religious traditions the world over, but thirteenth-century Old French lyric stands apart, both because of the enormous size of the Marian cult in thirteenth-century France and the lack of critical attention the genre has garnered from scholars. As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this comprehensive and illuminating study, Daniel E. O'Sullivan examines the movement between secular and religious traditions in medieval culture that Old French religious song embodies. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song. On the contrary, Marian lyric participated in a dynamic interplay with the secular tradition that different composers shaped and reshaped in light of particular doctrinal and aesthetic concerns. It is a corpus that reveals itself to be far more malleable and supple than past readers have admitted. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.
Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Oral Tradition and Hispanic Literature
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
