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Projection
2013 Governor General’s Literary Award — Shortlisted, Non-Fiction 2013 Hilary Weston Writers’ Trust — Shortlisted, Non-Fiction Projection is the story of this mother-daughter meeting in Brazil, of how two strangers, connected by little more than blood, spent ten days together trying to build a relationship. In 1977, Priscila Uppal’s father drank contaminated water in Antigua and within 48 hours was a quadriplegic. Priscila was two years old. Five years later, her mother, Theresa, drained the family’s bank accounts and disappeared to Brazil. After two attempts to abduct her children, Theresa had no further contact with the family. In 2002, Priscila happened on her mother’s websi...
The Boy Next Door
This short story is taken from the collection Cover Before Striking. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in Cover Before Striking are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. “The Boy Next Door” was originally published in Blood & Aphorisms magazine.
Three Days Left
This short story is taken from the collection Cover Before Striking. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in Cover Before Striking are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. “Three Days Left” was originally published in The Fiddlehead and was nominated for the Journey Prize.
Mycosis
This short story is taken from the collection Cover Before Striking. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in Cover Before Striking are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. “Mycosis” was published in Pagitica and nominated for the Journey Prize.
Vertigo
This short story is taken from the collection Cover Before Striking. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in Cover Before Striking are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. “Vertigo” was originally published in The Exile Book of Canadian Sports Fiction and Exile magazine.
We Are What We Mourn
The first book on the Canadian poetic elegy challenges all previous ideas about the purpose of mourning.
The Divine Economy of Salvation
"A luminous debut . . . Haunting, gripping, and surprisingly nuanced . . . A work of great depth and seriousness." —Kirkus Reviews When Sister Angela receives an anonymous package containing an ornate silver candlestick, an object she hasn't seen in twenty-five years, her safe and secure life begins to shatter. Suddenly, she must confront her darkest secret: her participation in a crime from which she can no longer hide. As she sets about discovering who sent her the package, memories of St. X. School for Girls come back to haunt her. At the center is a group of girls who call themselves The Sisterhood, from whom fourteen-year-old Angela desperately seeks comfort and approval. Saddened by ...
The Exile Book of Canadian Sports Stories
"This anthology collects a wide range of Canada's literary imaginations, telling great stories about the wild and fascinating world of sport ... Written by both men and women, the generations of insights provided in this collection expose some of the most intimate details of sports and sporting life - the hard-earned victories, and the sometimes inevitable tragedies. You will get to know those who play the game, as well as those who watch it, coach it, write about it, dream about it, live and die by it."--Back cover.
At Your Service
This short story is taken from the collection Cover Before Striking. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in Cover Before Striking are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. “At Your Service” was originally published in Existere.
6 Essential Questions
6 Essential Questions tells the story of Renata as she travels to Brazil to reunite with the mother who abandoned her when she was just five years old. In Rio, Renata discovers more than she bargained for in her quest to uncover the truth of who abandoned whom. She is continually tossed about by her undead grandmother and a semi-invisible uncle as they choreograph the ultimate dance of mother and daughter, both of whom must confront their dreams before they can ever attempt to confront each other. Imaginations run wild in this strangely beautiful and funny story loosely based on Uppal's critically acclaimed memoir, Projection: Encounters with My Runaway Mother, a finalist for both the Hilary Weston Writers' Trust Prize for Nonfiction and the Governor General's Literary Award for Non-Fiction.
