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Out of This World
Out of This World: Afro-German Afrofuturism examines how contemporary Afro-German authors and artists use Afrofuturist tropes and concepts to critique German racism and colonial history, Eurocentrism, and binary thinking about race, culture, and gender identity.
White Rebels in Black
Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany
1,000 Coils of Fear
A multilayered and rhythmic debut novel about her life as a Black German woman living in Berlin and New York during the chaos of the 2016 U.S. presidential election from playwright Olivia Wenzel. A young woman attends a play about the fall of the Berlin Wall—and realizes she is the only Black person in the audience. She and her boyfriend are hanging out by a lake outside Berlin—and four neo-Nazis show up. In New York, she is having sex with a stranger on the night of the 2016 presidential election—and wakes up to panicked texts from her friends in Germany about Donald Trump’s unlikely victory. Engaging in a witty Q&A with herself—or is it her alter ego?—she takes stock of our rap...
Minority Discourses in Germany since 1990
While German unification promised a new historical beginning, it also stirred discussions about contemporary Germany’s Nazi past and ideas of citizenship and belonging in a changing Europe. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German, and German Jewish experiences, with reflections on the evolving academic paradigms with which these are studied. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourse on memory, racism, citizenship, immigration, and history.
The Marriage of Maria Braun
A new reading of Fassbinder's most popular film that highlights the roles of race and gender. The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate ...
Out of This World
Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to i...
Rebellion and Revolution
Rebellion and Revolution: Defiance in German Language, History and Art is a transnational collection of twelve essays by scholars of history, literature and film. It offers new perspectives on several of the key moments in history when the German revolutionary spirit was at its peak. Inspired by both the 20th anniversary of the Fall of the Berlin Wall and the 40th anniversary of the student movements of 1968, this book contributes to current discourses on resistance by providing a retrospective look at events and time periods ranging from the German Peasants’ War of 1525 to the American War for Independence and the French Revolution in the 18th century; and from the tumultuous period of th...
1000 Coils of Fear
'I have more privilege than any person in my family. And I'm still screwed.' From award-winning author Olivia Wenzel comes a captivating and unsettling literary debut about race, politics, feminism, motherhood, nationality and enduring love. A young woman attends a play about the Berlin Wall coming down and is the only Black person in the audience. She is sitting with her boyfriend by a bathing lake and four neo-Nazis show up. In New York, she witnesses Trump's election victory in a strange hotel room and later awakes to panicked messages from friends. Engaging in a witty question and answer with herself, the narrator looks at our rapidly changing times and tells the story of her family: her...
Transnational German Film at the End of Neoliberalism
Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and ins...
Theater of Anger
Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.
