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The Archetype of the Dying and Rising God in World Mythology
The Archetype of the Dying and Rising God in World Mythology is the first global treatment of the dying and rising god archetype since that classification was called into serious doubt in the final decades of the twentieth century. While assaults on the concept have focused on the Classical and ancient Near Eastern (Biblical) traditions, this study goes beyond but also includes these areas to encompass world mythology. Beginning with an interrogation of the most influential criticisms, the author then examines evidence for the archetype's validity by analyzing dying and rising god myths from ancient Near Eastern, Classical, and non-Classical sources from around the world. He treats implicati...
Perspectives on Audiovisual Translation
The book offers a general and up-to-date overview of the wider discipline of Audiovisual Translation (AVT), including practices such as accessibility to the media. The innovative and exciting articles by well-known authors offer a comprehensive selection of topics for discussion and reflection that will appeal to students, lecturers, researchers and professionals alike, and indeed to anyone concerned about the way in which translation is carried out in the audiovisual media.
Annales Politiques, Civiles, Et Littéraires Du Dix-huitième Siècle
"Observations d'un républicain ... A Bruxelles, De l'imprimerie de l'auteur, 1790" (32 p.): inserted at end of v. 17.
La Fayette
None
Philippe de Vigneulles and the Art of Prose Translation
The cultural agenda of Philippe de Vigneulles, translator of the Lorraine epic cycle into Middle French prose. Over fifty chansons de geste were reworked into prose between the fourteenth and sixteenth centuries for patrons and audiences who demanded updated, de-rhymed versions of heroic songs. While most prose translations were commissioned by noble patrons, Philippe de Vigneulles (1471-1527), a cloth merchant of Metz, operated outside the system of patronage on self-imposed projects with a pronounced civic bias. His translation of the monumental Lorraine epic cycle into Middle French prose afforded him an opportunity to reconfigure the city's legendary past and validate the concerns of a prosperous merchant class. The craft of mise en prose is examined in the context of the author's larger cultural agenda as he weaves the epic legend into his civic, personal and aesthetic preoccupations. This perspective illuminates a previously neglected sphere of medieval literary production, revealing fundamental assumptions about the epic tradition and the power of prose in urban culture. CATHERINE M. JONES is Associate Professor of French and Provençal at the University of Georgia.
The Campaign of Waterloo
Reprint of the original, first published in 1875.
