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Si l'on se penche sur les phénomènes de contestation de l'autorité politique par la littérature ou les arts qui constitue un axe de recherche majeur du Laboratoire aux travaux duquel contribue ce volume, il appert que, dans bien des pays d'Europe, l'autorité politique s'est identifiée avec celle du Monarque, alors qu'en Italie, cas exceptionnel – et pour cause, puisque le siège de la papauté y est implanté depuis deux millénaires sans autre interruption que le demi-siècle avignonnais –, c'est la papauté qui s'est constituée en pouvoir politique, se revendiquant d'une double autorité, spirituelle et morale, et s'incarnant en un véritable organisme étatique. Le pape et la p...
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.
The adventures of the man who created Aladdin The Book of Travels is Ḥannā Diyāb’s remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights. Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several ta...
Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.
First multi-year cumulation covers six years: 1965-70.
A joke, one might think, knowing that ancient grammar famously lacked a syntactic component. Not so, say the scholars: the very absence of the category syntax calls for theoretical and historical analysis, and a scratch at the surface reveals that ancient grammarians did indeed recognize and deal with various aspects of syntax. The 16 papers, five of them in English and the others in German or French, look at syntactic description and reflection in antiquity, Alexandrian grammarians and syntax, virtues and vices of speech, and the Latin and Byzantine heritage. Distributed by the David Brown Book Company. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Pilgrim shrines were places of healing, holiness, and truth in early modern France. This book explains how this came about.
An innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations.
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