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When the fervour of revolution is gone, what remains? Four leftist teenagers in 1950s Malaya dedicate themselves to overthrowing colonialism and bringing about a better world. With time, their paths diverge -- into capitalism, into adultery, into the dark heart of the Cultural Revolution. Disillusioned and middle-aged, they look back at their lives from the prosperous but soulless 1980s, wondering what has become of their dreams and ideals. Winner of the Singapore Literature Prize
Selected by Asiaweek as one of the 10 Best Chinese Novels of 2006 Winner, Singapore Literature Prize for Chinese 2008 Selected by The Business Times as one of the Best Books of 2014 The Chinese protagonist of Cultural Medallion recipient Yeng Pway Ngon's novel, Trivialities about Me and Myself, is a journalist turned entrepreneur who possesses a split personality. “Me” is a figure consumed by greed and sexual desire, two impulses that undermine his careers, his two marriages, and his relationship with his son. Throughout the novel he engages in a dialogue with his other identity, the moralistic “Myself”, whose principled stances try but usually fail to win over his other half. The protagonist’s lifetime, from childhood to his dying days in a rest home, parallels the modern history of Singapore itself and its evolution from a colonised city to a consumer-oriented nation, one in which an English-language educational system and commercial interests suppress indigenous languages and traditions. While the meticulously described action takes place in the city, the real setting is within the psyche of the narrator, whose two halves are engaged in an epic struggle for dominance.
In the 1910s, thirteen-year-old Leong Ping Hung comes to Singapore from China to seek his fortune. Decades later, he is a lonely old man mourning his shattered dreams. His granddaughter Yu Sau struggles to take care of him while trying to make sense of her own life in a rapidly changing country. He speaks Cantonese, and she Mandarin - but will they be able to find common ground through a shared love of Cantonese opera? As Yu Sau looks to her family's past to understand her present, she begins to uncover the secrets that went missing along with the old man's cherished opera costume.
By an author described by critics as 'the most accomplished Malaysian writer, full stop'. Lake Like a Mirror is a scintillating exploration of the lives of women buffeted by powers beyond their control. Squeezing themselves between the gaps of rabid urbanisation, patriarchal structures and a theocratic government, these women find their lives twisted in disturbing ways. In precise and disquieting prose, Ho Sok Fong draws her readers into a richly atmospheric world of naked sleepwalkers in a rehabilitation centre for wayward Muslims, mysterious wooden boxes, gossip in unlicensed hairdressers, hotels with amnesiac guests, and poetry classes with accidentally charged politics - a world that is peopled with the ghosts of unsaid words, unmanaged desires and uncertain statuses, surreal and utterly true.
Postcolonial literature about the South Seas, or Nanyang, examines the history of Chinese migration, localization, and interethnic exchange in Southeast Asia, where Sinophone settler cultures evolved independently by adapting to their "New World" and mingling with native cultures. Writing the South Seas explains why Nanyang encounters, neglected by most literary histories, should be considered crucial to the national literatures of China and Southeast Asia.
A propulsive crime drama featuring a legendary Hong Kong detective on a decades-long quest to expose the city’s dark underbelly. Covering six cases that span Kwan Chun-dok’s impressive fifty-year career, The Borrowed takes readers on a tour of Hong Kong history from the Leftist Riot in 1967; the conflict between the HK Police and ICAC (Independent Commission Against Corruption) in 1977; the Tiananmen Square Massacre in 1989; the Handover in 1997; to the present day of 2013, when Kwan is called on to solve his final case, the murder of a local billionaire, while Hong Kong increasingly resembles a police state. Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing. A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.
In Taiwanese writer Lo Yi-Chin’s Faraway, a fictionalized version of the author finds himself stranded in mainland China attempting to bring his comatose father home. Lo’s father had fled decades ago, abandoning his first family to start a new life in Taiwan. After travel between the two countries becomes politically possible, he returns to visit the son he left behind, only to suffer a stroke. The middle-aged protagonist ventures to China, where he embarks on a protracted struggle with the byzantine hospital regulations while dealing with relatives he barely knows. Meanwhile, back in Taiwan, his wife is about to give birth to their second child. Isolated in a foreign country, Lo mulls o...
"State of Emergency is a compelling, important piece of work from one of Singapore's finest living authors." --The Straits Times Siew Li leaves her husband and young children to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency, while Siew Li's son uncovers the truth of his family's past. Informed by years of painstaking research, Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. State of Emergency questions whether we can grasp the truth after the fact. And yet, in the very telling of its interlocking stories, it reaffirms the importance of trying.