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This book posits that when foreign actors face high opportunity costs of intervention in a weak state, their behavior may foster state sovereignty. This occurs as foreign actors work with local groups to avoid their worst fear, domination of the polity by rivals. Drawing from primary and secondary sources, Ja Ian Chong examines this argument by considering China, Indonesia, and Thailand between the late nineteenth and mid-twentieth centuries. The book augments existing perspectives on nationalism, sovereignty, and state formation by introducing insights from research on foreign intervention and local collaboration.
Die Beitrage des Sammelbandes mochten Impulse fur eine historische Forschung zu Frauen in China geben. Mit unterschiedlichen Ansatzen - philologischen, historisch-sozialwissenschaftlichen, quellenkritischen und literaturwissenschaftlichen - werden Fragen nach der Darstellung der Frau und nach der dargestellten Wirklichkeit der Frau an das historische Schrifttum Chinas gestellt. Sechs der acht Beitrage beziehen sich auf die antike Gesellschaft und ihre historische Literatur, zwei Beitrage fugen Betrachtungen zum Schreiben uber Frauen der spateren Kaiserzeit hinzu.Aus dem Inhalt (8 Beitrage): R.H. Gassmann, What's in a Name? Frau und Status im antiken China. Eine SpurensucheR. Ptak, Die Dame Zhuang von Qi D. Schilling, Protagonistinnen im Zyklus der Wanderungen des Chonger. Eine Studie zur Narratologie des Zuo zhuan J. Kralle, Zu einigen Frauengestalten aus dem Lie nu zhuan K. Vogelsang, Schlechte Leute und gute Musikantinnen. Uber Stoffe, Motive und die Konstruktion von Geschichte im Alten ChinaU. Middendorf, Sangerinnen und Tanzerinnen der Han. Herkunft, Sozialstatus, Tatigkeiten
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
In November 2002, the Chinese Communist Party held its 16th Congress and formally initiated a sweeping turnover of senior leaders in both the Party and the People's Liberation Army (PLA). The meeting heralded not merely a new set of personalities in positions of political and military power, but also the emergence of a new generation of leaders. Who are these individuals, and what does their rise mean for the future of China and its military? The group of China specialists who have written this book have applied their research talents, intelligence, and hands-on experience to clarify and explain the most important issues of the day in China. China obviously matters to the United States becau...
This open access book outlines key terms of China’s school leadership in Chinese political and legal, financial, administrative, and cultural contexts. It reveals and interprets the real meaning of these practical terms based on existing laws, government documents, school policy texts as well as the latest empirical findings from school leaders and teachers’ surveys and interviews in China. Providing a holistic picture of China’s school leadership through the unique meanings of these terms, the book offers researchers and graduate students insights into school leadership practice and its context in China. Thus, it would likely intensify readers’ knowledge base to analyse and interpret the phenomenon and research data regarding China’s school leadership.
Constituting over ninety percent of China's population, Han is not only the largest ethnonational group in that country but also one of the largest categories of human identity in world history. In this pathbreaking volume, a multidisciplinary group of scholars examine this ambiguous identity, one that shares features with, but cannot be subsumed under, existing notions of ethnicity, culture, race, nationality, and civilization.
"Tobacco has been pervasive in China almost since its introduction from the Americas in the mid-sixteenth century. One-third of the world's smokers--over 350 million--now live in China, and they account for 25 percent of worldwide smoking-related deaths. This book examines the deep roots of China's contemporary "cigarette culture" and smoking epidemic and provides one of the first comprehensive histories of Chinese consumption in global and comparative perspective"--Provided by publisher.
Lu Xun was the pen name of Zhou Shuren is one of the major Chinese writers of the 20th century. Considered by many to be the founder of modern Chinese literature, he wrote in baihua (the vernacular) as well as classical Chinese. Lu Xun was a short story writer, editor, translator, critic, essayist and poet. In the 1930s he became the titular head of the Chinese League of Left-Wing Writers in Shanghai. Lu Xun's works exerted a very substantial influence after the May Fourth Movement to such a point that he was lionized by the Communist regime after 1949. Mao Zedong himself was a lifelong admirer of Lu Xun's works. Though sympathetic to the ideals of the Left, Lu Xun never actually joined the Chinese Communist Party. Lu Xun's works are known to English readers through numerous translations, especially Selected Stories of Lu Hsun translated by Yang Hsien-yi and Gladys Yang.
Arif Dirlik's latest offering is a revisionist perspective on Chinese radicalism in the twentieth century. He argues that the history of anarchism is indispensable to understanding crucial themes in Chinese radicalism. And anarchism is particularly significant now as a source of democratic ideals within the history of the socialist movement in China. Dirlik draws on the most recent scholarship and on materials available only in the last decade to compile the first comprehensive history of his subject available in a Western language. He emphasizes the anarchist contribution to revolutionary discourse and elucidates this theme through detailed analysis of both anarchist polemics and social practice. The changing circumstances of the Chinese revolution provide the immediate context, but throughout his writing the author views Chinese anarchism in relation to anarchism worldwide. Arif Dirlik's latest offering is a revisionist perspective on Chinese radicalism in the twentieth century. He argues that the history of anarchism is indispensable to understanding crucial themes in Chinese radicalism. And anarchism is particularly signif