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La sémantique
Si la compréhension du sens des mots dans un énoncé va de soi dans sa propre langue, il est plus difficile d'expliquer pourquoi des formes linguistiques identiques peuvent avoir des sens différents ou, inversement, des formes différentes peuvent renvoyer à des significations équivalentes. Depuis la première sémantique de Michel Bréal jusqu'aux recherches les plus récentes, cet ouvrage présente une discipline qui s'est donnée pour objet l'étude scientifique des significations. Il montre que le sémanticien, comme l'enfant, doit saisir en interaction ce que l'analyse linguistique sépare en domaines distincts : phonologie, morpho-syntaxe, lexique, sémantique, pragmatique.
Materials Handbook
The unique and practical Materials Handbook (third edition) provides quick and easy access to the physical and chemical properties of very many classes of materials. Its coverage has been expanded to include whole new families of materials such as minor metals, ferroalloys, nuclear materials, food, natural oils, fats, resins, and waxes. Many of the existing families—notably the metals, gases, liquids, minerals, rocks, soils, polymers, and fuels—are broadened and refined with new material and up-to-date information. Several of the larger tables of data are expanded and new ones added. Particular emphasis is placed on the properties of common industrial materials in each class. After a cha...
The Representation of Parisian Speech in the Cinema of the 1930s
This study is based on an analysis of videos and transcripts of five films Fric-frac, Circonstances atténuantes, Le Jour se lève, La Règle du jeu and Hôtel du Nord. These films are examples of planned and artificial language. The book looks at the evidential value of these data and assesses the extent to which stereotyped and scripted language can contribute to an understanding of spoken Parisian usage by looking at phonetics, syntax, discourse, lexis and pragmatics. By comparing traditional research carried out by scholars in the nineteenth century and earlier with Parisian data collected and analysed by twentieth-century researchers, the work attempts to identify the salient features that both script-writers and actors in these films considered to be characteristic of social-group differences at that time.
The Je-Ne-Sais-Quoi in Early Modern Europe
What is the je-ne-sais-quoi? How - if at all - can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realmof the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major f...
