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A raw slice of Punjabi village life! The unusual story of a woman compelled to marry one who she brought of as her own son. A brutally honest exploration of sexuality, society and relationships marked by vivid realism and vigour of narration. "For its powerful characterisation and innate humanity, the book is an outstanding contribution to contemporary Urdu literature." — Sahitya Akademi Award Citation
Ordained by Fate: English Transltion By Avtar singh of Rajinder Singh Bedi's Urdu Novel Ek Chadar Maili Si.
Rajinder Singh Bedi: Selected Short Stories curates some of the best work by the Urdu writer, whose contribution to Urdu fiction makes him a pivotal force within modern Indian literature. Born in Sialkot, Punjab, Rajinder Singh Bedi (1915-1984) lived many lives-as a student and postmaster in Lahore, a venerated screenwriter for popular Hindi films and a winner of both the Sahitya Akademi as well as the Filmfare awards. Considered one of the prominent progressive writers of modern Urdu fiction, Bedi was an architect of contemporary Urdu writing along with leading lights such as Munshi Premchand and Saadat Hasan Manto. Written between 1940 and 1975, the fifteen short stories included in this collection comprise favorites like 'Garam Coat' (Woollen Coat), 'Lajwanti', 'Apne Dukh Mujhe De Do' (Give Me Your Sorrows), 'Rahman ke Joote' (Rahman's Shoes) and others. Bedi's stories dissect human emotions with grim precision as he navigates the everyday lives of men and women, exposing social inequities and economic problems.
Noted Indian writer and translator Khuswant Singh's tribute to 18 major Punjabi writers whose stories he has translated in this collection of short fiction. The writers included here are familiar names in India - writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan - among others.
In a world where more women are joining the work force, where ever more are stepping out from their secluded and cloistered world and can be physically seen in larger numbers, this collection seeks to explore how male writers in Urdu view and consequently present or represent the women of their world. In her Introduction, Rakhshanda Jalil traces the history of ‘writings on women’ by both male and female writers — from the doyens of Urdu literature to contemporary writers dealing with contemporary issues, setting the mood for the stories in this collection and giving the reader a sampler of what to expect in the ensuing pages. The collection includes themes which are timeless as well as topics that are an outcome of the times we live in. Starting with two of the four pillars of the Urdu short story – Rajinder Singh Bedi and Krishan Chandar – who can be credited with introducing a realistic portrayal of women in Urdu fiction, the stories in this volume offer multiple ways of ‘seeing’ women.
Devdas is the title of a 1920s novella by the farmed Bengali writer saratchandra chatterjee. It became so popular that 15 film versions were made in various Indian Languages and periods. Bimal Roy's 1955 film is considered the finest as it sensitively tells the tragic love story between Devdas (Dilip Kumar), the son of Brahmin landlord Aand Parvati (suchita sen) his childhood sweetheart. Caste and class difference keep the lovers apart. Parvati is married of to a rich older man and devdas, who allows Chandramukhi (Vijayanthimala), a selfless prostitute, to help him at first, but ultimately finding no meaning to life, he takes to drink. The Dialogue of Devdas will be presented in a four language format: Hindi, Urdu, Romanised Hindi, Urdu and English translation. Forewords by Bimal Roy's Family and extensive commentary are also featured.
VENKAT SUNDARAM was a key member of the Indian cricket team between 1970–80. During his illustrious career, he has worn numerous hats – he has been its manager for the 1998 tour to Sri Lanka; Chairman for BCCI’s Ground and Wickets Committee for two terms; Chairman Ranji Trophy and U-22 selection committee for UPCA. He has also been a selector, coach, umpire, cricket commentator, sports anchor, author, and director/ producer. He is the force behind this special edition celebrating Bishan Singh Bedi’s life and times. SACHIN BAJAJ is a sports administrator and business professional. He has over two decades of experience with sports bodies like Kings XI Punjab, Cricket Club of India, England & Wales Cricket Board. He is also the proprietor of Global Cricket School and Co-founder of Niche Sports. Sachin has published eleven books and co-authored another three.
The Last Labyrinth is a splendid novel — serious, disturbing, lyrical and irresistibly readable, a fascinating exploration into the turbulent inner world of a successful urban India. Som Bhaskar is a millionaire-industrialist, married to a woman of his choice who has borne him two children, yet relentlessly driven by undefined hunger which he unsuccessfully seeks to satisfy by possession — of an object, a business enterprise, a woman. Much like Saul Bellow's Henderson he is always crying, 'I want, I want, I want.' His search taken him from Bombay to Benares, at once holy and repellent — with its narrow, dirty lanes, dancing girls and a mystical aura. Amidst this contrasting juxtapositi...
Though Barely A Hundred Years Old, The Urdu Short Story, Or Afsana', Has Established Itself At The Forefront Of Urdu Literature. Emerging As A Discrete Narrative Genre With Munshi Premchand, It Gained Momentum With The Progressive Writers' Movement In The 1930S. The Partition Of The Subcontinent In 1947 Introduced New Dynamics Into The Genre As Writers Grappled With Emerging Trends Of Modernism And Symbolism As Well As With A Depleted Readership In India And The Challenge Of Establishing A New Literary Tradition Commensurate With A New Nationhood In Pakistan. The Penguin Book Of Classic Urdu Stories Brings Together Sixteen Memorable Tales That Have Influenced Generations Of Readers. From Saa...