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New Life in the Risen Christ
Baptism is a foundational rite and sacrament of the church. Over the centuries, the significance of baptism for Christian life and faith has been confirmed by the church, but baptism remains a highly controversial topic. Numerous disagreements exist between denominations and faith traditions—including the various descendants of the original Methodist movement—over the doctrine and practice of baptism. Who can be baptized? Why is baptism done? What does the rite mean? New Life in the Risen Christ: A Wesleyan Theology of Baptism seeks to address confusion over baptism and offer a coherent treatment of the sacrament from a Wesleyan theological perspective. Distinguished scholars from around the world are brought together in this volume to examine the writings of John Wesley and offer scholarly reflections on topics related to the sacrament of baptism. Their work is an invitation to remember and be thankful for baptism as the sign of divine grace that initiates Christians into a new reality: life in the risen Christ.
Essays on the History of Contemporary Praise and Worship
Seeking to push the historical study of the liturgical phenomenon known as "Contemporary Worship" or "Praise and Worship" to a new level, this collection of essays offers an introduction to the phenomenon, documents critical aspects of its development, and suggests methods for future historical study. This multi-authored work investigates topics in both the Pentecostal and mainline branches of this way of worship, looking at subjects little explored by prior work. The provocative issues explored include Integrity Hosanna! Music, James White, charismatic renewal, John Wimber, the development of second services, Black Gospel, overlooked (non-white) sources of worship music, degree programs for worship leaders, and Robert Webber.
Minutes
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A History of Contemporary Praise & Worship
Christianity Today 2023 Book Award Finalist (History & Biography) New forms of worship have transformed the face of the American church over the past fifty years. Drawing on a wide range of primary sources, including interviews with dozens of important stakeholders and key players, this volume by two worship experts offers the first comprehensive history of Contemporary Praise & Worship. The authors provide insight into where this phenomenon began and how it reshaped the Protestant church. They also emphasize the span of denominational, regional, and ethnic expressions of contemporary worship.
The Hymn
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Evangelical Worship
Say the words “evangelical worship” to anyone in the United States -- even if they are not particularly religious -- and a picture will likely spring to mind unbidden: a mass of white, middle-class worshippers with eyes closed, faces tilted upward, and hands raised to the sky. Yet despite the centrality of this image, many scholars have underestimated evangelical worship as little more than a manipulative effort to arouse devotional exhilaration. It is frequently dismissed as a reiteration of nineteenth-century revivalism or a derivative imitation of secular entertainment -- three Christian rock songs and a spiritual TED talk. But by failing to engage this worship seriously, we miss vita...
The Theology of Sanctification and Resignation in Charles Wesley's Hymns
Sanctification is a central theme in the theology of both John and Charles Wesley. However, while John’s theology of sanctification has received much scholarly attention, significantly less has been paid to Charles’ views on the subject. This book redresses this imbalance by using Charles’ many poetic texts as a window into his rich theological thought on sanctification, particularly uncovering the role of resignation in the development of his views on this key doctrine. In this analysis of Charles’ theology of sanctification, the centrality he accorded to resignation is uncovered to show a positive attribute involving acts of intention, desire and offering to God. The book begins by...
The Spirit and the Song
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
