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Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
An examination of how wartime rhetoric in World War I influenced the home front fiction of four British women writers -- Violet Hunt, Rose Macaulay, Stella Benson, and Rebecca West.
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships i...
Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
Concise discussions of the lives and principal works of writers from Britain, Ireland, Australia, Canada, New Zealand and English-speaking Africa, Asia, and the Caribbean. Written by subject experts.
At the dawn of the 1930s a new empowered and liberated image of the female was taking root in popular culture in the West. This 'modern woman' archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.
For over twenty-five years, the English Novel Explication series has been providing students and teachers of literature and reference librarians with a thorough, easy-to-use reference to interpretations of works by novelists from the United Kingdom. The explications cited in these volumes are interpretations of the significance and the meaning of the novels, and can range from discussions of theme, imagery, or symbolism to diction or structure. All critical stances, including post-structuralist, deconstructionist, and semiotic, are included. Quick access to the material is provided via integrated author/title indexes. Organization is alphabetical by novelist, with authors followed by an alphabetical list of their works and dates of publication. Explications are cited by last name of author, and include title and page references, while a complete list of books and periodicals indexed follows the text.
An anthology meant to emphasize the "individual, human origins of great fiction . . . built around the lives, works, and ideas of a diverse group of significant major authors" containing "63 stories by 52 authors from approximately 20 countries."