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The Ticos
  • Language: en
  • Pages: 322

The Ticos

The authors trace the evolution of Costa Rican culture and institutions from pre-Columbian times through the late 1990s. Particularly concerned with the change wrought by the economic crisis of the 1980s, they base their portrayal on interviews with Costa Ricans; observations of many facets--from coffee plantation work to the deliberations of the Legislature; and readings of journalists, essayists, poets, historians, and others. Annotation copyrighted by Book News, Inc., Portland, OR

Monthly Bulletin
  • Language: en
  • Pages: 1146

Monthly Bulletin

  • Type: Book
  • -
  • Published: 1898
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  • Publisher: Unknown

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The Company They Kept
  • Language: en
  • Pages: 316

The Company They Kept

In the late nineteenth century, migrants from Jamaica, Colombia, Barbados, and beyond poured into Caribbean Central America, building railroads, digging canals, selling meals, and farming homesteads. On the rain-forested shores of Costa Rica, U.S. entrepreneurs and others established vast banana plantations. Over the next half-century, short-lived export booms drew tens of thousands of migrants to the region. In Port Limn, birthplace of the United Fruit Company, a single building might house a Russian seamstress, a Martinican madam, a Cuban doctor, and a Chinese barkeep--together with stevedores, laundresses, and laborers from across the Caribbean. Tracing the changing contours of gender, ki...

Oral Tradition and Hispanic Literature
  • Language: en
  • Pages: 684

Oral Tradition and Hispanic Literature

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Grace
  • Language: en
  • Pages: 472

Grace

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The Criminal Baroque
  • Language: en
  • Pages: 271

The Criminal Baroque

TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.

Bulletin of the Pan American Union
  • Language: en
  • Pages: 1048

Bulletin of the Pan American Union

  • Type: Book
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  • Published: 1917
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  • Publisher: Unknown

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Current History and Modern Culture
  • Language: en
  • Pages: 1036

Current History and Modern Culture

  • Type: Book
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  • Published: 1895
  • -
  • Publisher: Unknown

None

Political Culture and Institutional Development in Costa Rica and Nicaragua
  • Language: en
  • Pages: 310

Political Culture and Institutional Development in Costa Rica and Nicaragua

This book explores the reasons behind the many failed attempts to build stable democracies in Latin America.

Directory of Officials of the Republic of Cuba
  • Language: en
  • Pages: 148

Directory of Officials of the Republic of Cuba

  • Type: Book
  • -
  • Published: 1977
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  • Publisher: Unknown

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