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Jose Marti contributed greatly to Cuba's struggle for independence from Spain with words as well as revolutionary action. Although he died before the formation of an independent republic, he has since been hailed as a heroic martyr inspiring Cuban republican traditions.
The year 2009 marked the 50th anniversary of the Cuban Revolution and the thirtieth anniversary of the Grenadian and Nicaraguan Revolutions, and as such offered an occasion to assess the complex legacies of revolutionary politics in the Caribbean. This volume considers what we might learn from such revolutionary projects and their afterlives, from their successes and their errors. It explores what struggles, currently underway in the Caribbean, share with these earlier and longer revolutionary traditions, and how they depart from them. It analyzes radical movements in Jamaica, Grenada, Cuba, Venezuela, Guadeloupe, Suriname, and Guyana, not only in their national dimensions, but in terms of their regional linkages and mutual influences. The chapters are drawn from various disciplines and a range of democratic leftist projects. They consider not only state and party politics, but also civil society, cultural politics and artistic production, strikes, and grassroots activism. This book was published as a special issue of Interventions: International Journal of Postcolonial Studies.
In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.
Analyzes parallel developments in post–Cold War literature and film from Cuba and Angola to trace a shared history of revolutionary enthusiasm, disappointment, and solidarity. In Forms of Disappointment, Lanie Millar traces the legacies of anti-imperial solidarity in Cuban and Angolan novels and films after 1989. Cuba’s intervention in Angola’s post-independence civil war from 1976 to 1991 was its longest and most engaged internationalist project and left a profound mark on the culture of both nations. After the fall of the Berlin Wall, Millar argues, Cuban and Angolan writers and filmmakers responded to this collective history and adapted to new postsocialist realities in analogous wa...
The print edition is available as a set of three volumes (9789004393219).
This book assesses the untimely relevance of Marx and Freud for Latin America, thinkers alien to the region who became an inspiration to its beleaguered activists, intellectuals, writers and artists during times of political and cultural oppression. Bruno Bosteels presents ten case studies arguing that art and literature—the novel, poetry, theatre, film—more than any militant tract or theoretical essay, can give us a glimpse into Marxism and psychoanalysis, not so much as sciences of history or of the unconscious, respectively, but rather as two intricately related modes of understanding the formation of subjectivity.
Following the disintegration of the Soviet Union, the globalization of Cuban culture, along with the bankruptcy of the state, partly modified the terms of intellectual engagement. However, no significant change took place at the political level. In Community and Culture in Post-Soviet Cuba, De Ferrari looks into the extraordinary survival of the Revolution by focusing on the personal, political and aesthetic social pacts that determined the configuration of the socialist state. Through close critical readings of a representative set of contemporary Cuban novels and works of visual art, this book argues that ethics and gender, rather than ideology, account for the intellectuals’ fidelity to the Revolution. Community and Culture does three things: it demonstrates that masculine sociality is the key to understanding the longevity of Cuba’s socialist regime; it examines the sociology of cultural administration of intellectual labor in Cuba; and it maps the emergent ethical and aesthetic paradigms that allow Cuban intellectuals to envision alternative forms of community and civil society.