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The Grove Encyclopedia of Decorative Arts
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
The Dictionary of Art: A to Anckermann
Online ed. provides access to the entire 45,000-plus articles of Grove's Dictionary of art (1996, 34 vols.) with constant additions of new material and updates to the text, plus extensive image links.
Cerámica Y Cultura
By examining both historic and contemporary examples, the editors move discussion of the enameled earthenware known as mayolica beyond its stylistic merits in order to understand it in historic and cultural context. It places the ceramics in history and daily life, illustrating their place in trade and economics.
Sacred Art
Sacred art flourishes today in northeastern Brazil, where European and African religious traditions have intersected for centuries. Professional artists create images of both the Catholic saints and the African gods of Candomblé to meet the needs of a vast market of believers and art collectors. Over the past decade, Henry Glassie and Pravina Shukla conducted intense research in the states of Bahia and Pernambuco, interviewing the artists at length, photographing their processes and products, attending Catholic and Candomblé services, and finally creating a comprehensive book, governed by a deep understanding of the artists themselves. Beginning with Edival Rosas, who carves monumental baroque statues for churches, and ending with Francisco Santos, who paints images of the gods for Candomblé terreiros, the book displays the diversity of Brazilian artistic techniques and religious interpretations. Glassie and Shukla enhance their findings with comparisons from art and religion in the United States, Nigeria, Portugal, Turkey, India, Bangladesh, and Japan and gesture toward an encompassing theology of power and beauty that brings unity into the spiritual art of the world.
Folk Art
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
Portugal
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Portuguese Faience
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A Academia de Coimbra (1880-1926): contributo para a sua história
"A Universidade de Coimbra é constituída por duas componentes bem distintas, mas complementares. Uma é a Universidade propriamente dita com as suas oito Faculdades, frequentadas pelos seus 23.000 alunos, com o seu Reitor assessorado por Vice-Reitores e Pró-Reitores, com o Senado, com a Assembleia de Representantes e os Concelhos Diretivo, Científico e Pedagógico de cada uma das Faculdades, com os seus currículos escolares, centros de investigação, com os graus académicos (Licenciatura, Mestrado, Doutoramento e Agregação) que confere, com os concursos do seu pessoal docente e dos seus funcionários, com a Sala dos Capelos - a mais bela Sala do nosso País, para quem lá fez provas...
