Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Women Artists in Expressionism
A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde culture Women Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century. Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used print...
The Book on the Floor
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field....
A Plural Peninsula: Studies in Honour of Professor Simon Barton
A Plural Peninsula embodies and upholds Professor Simon Barton’s influential scholarly legacy, eschewing rigid disciplinary boundaries. Focusing on textual, archaeological, visual and material culture, the sixteen studies in this volume offer new and important insights into the historical, socio-political and cultural dynamics characterising different, yet interconnected areas within Iberia and the Mediterranean. The structural themes of this volume --the creation and manipulation of historical, historiographical and emotional narratives; changes and continuity in patterns of exchange, cross-fertilisation and the recovery of tradition; and the management of conflict, crisis, power and authority-- are also particularly relevant for the postmedieval period, within and beyond Iberia. Contributors are Janna Bianchini, Jerrilynn D. Dodds, Simon R. Doubleday, Ana Echevarría Arsuaga, Maribel Fierro, Antonella Liuzzo Scorpo, Fernando Luis Corral, Therese Martin, Iñaki Martín Viso, Amy G. Remensnyder, Maya Soifer Irish, -Teresa Tinsley, Sonia Vital Fernández, Alun Williams, Teresa Witcombe, and Jamie Wood. See inside the book
After One Hundred Years
This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910. It offers new ideas and unpublished material on the exhibition's historical context, organization, display, reception in the West and its later influence on the study of Islamic art.
The Oxford Handbook of the Weimar Republic
The Weimar Republic was a turbulent and pivotal period of German and European history and a laboratory of modernity. The Oxford Handbook of the Weimar Republic provides an unsurpassed panorama of German history from 1918 to 1933, offering an indispensable guide for anyone interested in the fascinating history of the Weimar Republic.
German Paintings in the Metropolitan Museum of Art, 1350-1600
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Gestural Imaginaries
Gestural Imaginaries offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranged across art and philosophy.
The Modersohn-Becker/Rilke Correspondence
The painter Paula Modersohn-Becker and the poet Rainer Maria Rilke first met at the Worpswede artists’ colony in 1900—a focal point of the kind of artistic innovations that were set to transform twentieth-century European culture. Modersohn-Becker and Rilke went on to enjoy an intense friendship over a period that saw both of them having to confront personal and financial challenges as they pursued their artistic vocations. This friendship was cut short by Modersohn-Becker’s tragically early death in 1907, but it left in its wake a remarkable series of letters. As fascinating and evocative when discussing the nature of married life and the difficulty of furnishing one’s home as they ...
The Absolute Realist
This annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch’s collected writings. A towering figure in the history of photography, Albert Renger-Patzsch (1897–1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany’s Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch’s photographs embody what his...
Being Here Is Everything
The short, obscure, and prolific life of the German expressionist painter Paula Modersohn-Becker (1876–1907), a significant figure in modernism. First published in France in 2016, Being Here Is So Much traces the short, obscure, and prolific life of the German expressionist painter Paula Modersohn-Becker (1876–1907). In a brief career, cut short by her death from an embolism at the age of thirty-one, shortly after she gave birth to a child, Modersohn-Becker trained in Germany, traveled often to Paris, developed close friendships with the sculptor Clara Westhoff and the poet Rainer Maria Rilke, and became one of her generation's preeminent artists, helping introduce modernity to the twentieth century alongside such other painters as Picasso and Matisse. Marie Darrieussecq's triumphant and illuminating biography at once revives Modersohn-Becker's reputation as a significant figure in modernism and sheds light on the extreme difficulty women have faced in attaining recognition and establishing artistic careers.
