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Impressions of New York
From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of these views of the city -- including two spectacular gatefold panoramas -- speak eloquently of the surging power of this dynamic urban center. At the same time, they present an intimate portrait of everyday life as it has been lived and savored in this great city for more than three centuries. The companion to an exhibition celebrating the New-York Historical Society's bicentennial anniversary, this beautifully printed volume presents a full range of historic images, from 1672 to the present. In the lively essay and information-filled captions, curator and historian Marilyn Symmes tells the unique stories behind the people and places, parks and buildings, streets and neighborhoods, parades and events depicted in each image -- in essence, the story of New York City itself.
Artists for Victory
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Acrylic Painting
Comprehensive and richly illustrated survey by noted artist and teacher introduces acrylic colors and their characteristics, discusses painting surfaces and how to prepare them, lists painting tools and their performance, and much more. Step-by-step instructions and technical exercises for experimenting with major methods, among them opaque, transparent (watercolor), acrylic tempera, mixed media and others. 125 halftones. 32 color illus.
Handmade Holiday Cards from Twentieth-century Artists
"From the collections of the Smithsonian's Archives of American Art."
American Artist
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Winslow Homer Watercolors
Traces the development of Homer as a watercolorist, shows a selection of his landscapes, seascapes, and portraits, and discusses his distinctive style and techniques.
The Last Titan
When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality—for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a...
