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Dualism and Polarity in the Novels of Ramón Pérez de Ayala
  • Language: en
  • Pages: 168

Dualism and Polarity in the Novels of Ramón Pérez de Ayala

  • Type: Book
  • -
  • Published: 1988
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  • Publisher: Tamesis

None

Ramón Pérez de Ayala, an Annotated Bibliography of Criticism
  • Language: en
  • Pages: 92

Ramón Pérez de Ayala, an Annotated Bibliography of Criticism

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: DS Brewer

None

Ramon Perez de Ayala
  • Language: en
  • Pages: 422

Ramon Perez de Ayala

  • Type: Book
  • -
  • Published: 1934
  • -
  • Publisher: Unknown

None

Amazing Spider-Man Vol. 1.1
  • Language: en
  • Pages: 139

Amazing Spider-Man Vol. 1.1

Collects Amazing Spider-Man #1.1-1.5, 1 (.1 story).ÿ

The Literary Perspectivism of Ramòn Pèrez de Ayala
  • Language: en
  • Pages: 562

The Literary Perspectivism of Ramòn Pèrez de Ayala

Ramon Perez de Ayala's (1880-1962) was a Spanish author of poetry, literary essays, criticism, novels, and short stories. This study analyzes how de Ayala adapted conceptual topics into his fiction and analyzes the central themes of his novels.

The Social Ideas of Ramón Pérez de Ayala
  • Language: en
  • Pages: 124

The Social Ideas of Ramón Pérez de Ayala

  • Type: Book
  • -
  • Published: 1949
  • -
  • Publisher: Unknown

None

Ramón Pérez de Ayala
  • Language: en
  • Pages: 184

Ramón Pérez de Ayala

None

Prometheus
  • Language: en
  • Pages: 248

Prometheus

  • Type: Book
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  • Published: 1920
  • -
  • Publisher: Unknown

None

The Novelistic Art of Ramón Pérez de Ayala
  • Language: en
  • Pages: 558

The Novelistic Art of Ramón Pérez de Ayala

  • Type: Book
  • -
  • Published: 1960
  • -
  • Publisher: Unknown

None

Transparent Simulacra
  • Language: en
  • Pages: 204

Transparent Simulacra

The development of basic textual strategies in Spanish fiction from 1902 to 1926 is the focus of this study. Challenging traditional views of the relationships between the literature produced by the Generation of 1898 and the Spanish vanguard movement, Spires traces through analyses of select works a process of evolution beginning at the turn of the century and continuing into the 1920s. Spires demonstrates how the somewhat tentative strategies of the first decade became more daring in the second. As opposed to the extant historical, autobiographical, and thematic surveys of this period, Transparent Simulacra features structuralist and post-structuralist readings of fiction by Baroja, Azorín, Unamuno, Pérez de Ayala, Gómez de Serna, Jarnés, and Salinas. These approaches offer not only revisionist views of a literary period but also revisionist readings of some of Spain's best-known fiction.