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Greguerías
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Morbidities and "the Concept of the New Literature"
This book offers the first complete English translations of the avant-gardist Ramón Gómez de la Serna's autobiography Morbidities, and his manifesto "The Concept of the New Literature." It introduces anglophone readers to some of Gómez de la Serna's most passionate ideas about modernity and "new literature."
Aphorisms
An important collection of around 500 aphorisms (greguer�as), which are a landmark of innovative literary technique akin to that of Futurism. Ram�n G�mez de la Serna introduced Spain to European avant-garde literature with this new genre, presented here in a stunningly thorough representation of an influential form and including an in-depth analysis by the translator. The book also includes a list of other works by G�mez de la Serna in English translation, two brief bibliographies, and a keyword index.
Dalí
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The Dilemma of Modernity
The Dilemma of Modernity is a study of the evolution of Ramón Gómez de la Serna's narrative fiction within the context of European Modernism. At a time when Joyce, Kafka, Proust, and Woolfe were experimenting with prose fiction, very little is known about Spain's contribution to the novel. Despite his years in Paris, when it was still considered the cultural capital of Europe, and his championing of the avant-garde in Spain in the 1920s through his literary salon Pombo, which attracted figures such as Borges, Picasso, Huidobro, Buñuel and Lorca, Ramón Gómez de la Serna's work has suffered from critical neglect. The Dilemma of Modernity sets Gómez de la Serna's work within the cultural and historical context of the time and traces his evolution from aesthete to promoter of the avant-garde, modernist, and existentialist.
Eight Novellas
The eight novellas collected in this book display the humor, exuberant spirit, love of language, and insight of the Spanish writer Ramón Gómez de la Serna, a central figure in the European and Latin American avant-garde, and a key contributor of Anglo-American imagism to Spanish literature. Father of the prose and poetry of the «Generation of '27», Gómez de la Serna was admired by T.S. Eliot, Macedonio Fernández, Oliverio Girondo, Octavio Paz, Pablo Neruda, Alfonso Reyes, and was a source of inspiration for Borges, García Márquez, Cortázar, and Pizarnik. These novellas, with their humorous and witty exaggerations of everyday human foibles, their simple story lines and often-surprising endings, are presented here in the original Spanish with a clear English translation on facing pages. This book will be useful in intermediate and advanced Spanish classes and in translation courses.
Ramón Gómez de la Serna
A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.
Kiosk Literature of Silver Age Spain
The 'Silver Age' of Spain ran from 1898 to 1939 and was characterized by intense urbanization, widespread class struggle and mobility and a boom in mass culture. This book offers the most detailed scholarly analysis of kiosk literature, one of the mass culture's manifestations, examined through the lens of contemporary interdisciplinary theories.
Diego Rivera
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Late Modernism and Expatriation
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
