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Love Is an Ex-Country
Queer. Muslim. Arab American. A proudly Fat femme. Randa Jarrar is all of these things. In this "exuberant, defiant and introspective" memoir of a cross-country road trip, she explores how to claim joy in an unraveling and hostile America (The New York Times Book Review). Randa Jarrar is a fearless voice of dissent who has been called "politically incorrect" (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer's journey across the United States in the 1940s, she sets off from her home in California to her parents' in Connecticut. Coloring this road trip are journeys abroad and rec...
A Map of Home
Nidali, the rebellious daughter of an Egyptian-Greek mother and a Palestinian father, narrates the story of her childhood in Kuwait, her teenage years in Egypt (to where she and her family fled the 1990 Iraqi invasion), and her family's last flight to Texas. Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father's home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.
Love Is an Ex-Country
Queer. Muslim. Arab American. A proudly Fat femme. Randa Jarrar is all of these things. In this "exuberant, defiant and introspective" memoir of a cross-country road trip, she explores how to claim joy in an unraveling and hostile America (The New York Times Book Review). Randa Jarrar is a fearless voice of dissent who has been called "politically incorrect" (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer's journey across the United States in the 1940s, she sets off from her home in California to her parents' in Connecticut. Coloring this road trip are journeys abroad and rec...
Him, Me, Muhammad Ali
With acerbic wit and tenderness, these often otherworldly stories capture the lives of Arab women across myriad geographies and circumstances.
Grandstanding
We are all guilty of it. We call people terrible names in conversation or online. We vilify those with whom we disagree, and make bolder claims than we could defend. We want to be seen as taking the moral high ground not just to make a point, or move a debate forward, but to look a certain way--incensed, or compassionate, or committed to a cause. We exaggerate. In other words, we grandstand. Nowhere is this more evident than in public discourse today, and especially as it plays out across the internet. To philosophers Justin Tosi and Brandon Warmke, who have written extensively about moral grandstanding, such one-upmanship is not just annoying, but dangerous. As politics gets more and more p...
Eat the Mouth That Feeds You
WINNER OF THE WHITING AWARD PEN AMERICA LITERARY FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are dr...
Beirut39
‘Beirut39’ is a Hay Festival project which aims to select and celebrate 39 of the best young Arab writers as a centrepiece of the Beirut World Capital festivities in April 2010. Following the successful launch of ‘Bogotá 39’, which identified many of the most interesting upcoming Latin American talents, including Wendy Guerra, Junot Diaz (Pulitzer Prize), Santiago Roncagliolo and Juan Gabriel Vásquez (short-listed for the IFFP), ‘Beirut 39’ will bring to worldwide attention the best work from the Arab world. The judges will select from more than 300 submissions and the writers’ names will be unveiled in September 2009. The book will be published in English throughout the world (except the Arab world) by Bloomsbury, and in Arabic throughout the world and in English in the Arab World by Bloomsbury Qatar Foundation Publishing.
Guapa
A novel of the Arab Spring A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground nightclub where the city’s clandestine LGBT community congregates, and his secret lover Taymour. Every night Taymour sneaks into the house Rasa shares with his overbearing grandmother, the woman who raised him. When she finds them in bed together on the eve of Taymour’s wedding day, all hell breaks loose. T...
Dinarzad's Children
The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories —thirty in all—and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity. The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.
Watchlist
“Including work by literary heavy–hitters... the anthology considers the act and weight of watching and being watched... and in Watchlist, these see–to–know quests range from funny to terrifying.” —Los Angeles Magazine In Watchlist, some of today’s most prominent and promising fiction writers from around the globe respond to, meditate on, and mine for inspiration the surveillance culture in which we live. With contributions from Etgar Keret, T.C. Boyle, Robert Coover, Aimee Bender, Jim Shepard, Alissa Nutting, Charles Yu, Cory Doctorow, and many more, WATCHLIST unforgettably confronts the question: What does it mean to be watched? In Doctorow’s eerily plausible ""Scroogled,""...
