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Play the World is the first and only world instrument primer featuring information on how to play 101 of the most popular and unique musical instruments from and cultures around the world. There are large pictures of every instrument from the ahoco of the Ivory Coast to the zheng of China, complete with detailed playing instructions, tunings, and important idiosyncratic techniques. the enclosed CD includes a performance of every instrument with accompanying notation in the text. This is an invaluable book for any musical world traveler.• the first and only 101 World Instrument Primer.• Pictures and description of 101 unique instrument from around the world.• Includes tunings, playing instructions, special technique and a piece per instrument.• Accompanying CD has a recording of the pieces on each instrument.
The Harmonium Handbook provides detailed instruction in how to play, maintain, and repair this popular devotional instrument. It also reveals the colorful history of free-reed instruments such as the harmonium, which dates back to the time of Marco Polo. The story behind the modern version of the harmonium is a fascinating testimony to the love, skill, innovation, and intermingling of many of the world’s great cultures. The Harmonium Handbook Reveals: The history of the Indian harmonium, from Ancient China to Europe and America. The essentials of owning and caring for Indian harmoniums, helping them give many years of service. How to play the harmonium in a variety of styles, from the simp...
A love letter to the hard-rocking, but often snubbed, music of the era of excess: the 1980s There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock ’n’ roll of the ’50s, ’60s, and ’70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond. Time hasn’t always been kind to artists of that gold and platinum era, but Don’t Call It Hair Metal analyzes the sonic evolution, musical diversity, and artistic intention of ’80s commercial hard rock through interviews with members of such hard rock luminaries as Twisted Sister, Def Leppard, Poison, Whitesnake, Ratt, Skid Row, Quiet Riot, Guns N’ Roses, Dokken, Mr. Big, and others.
As Canada's first mixed-race vice-regal couple, Adrienne Clarkson and John Ralston Saul are one of the country's most conventionally unconventional couples. This bemused look at their partnership chronicles their years in the public eye with anecdotes that include Clarkson's rags-to-riches career and intriguing analyses of Saul's male adventure novels.
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Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
One of Guitar World magazine's Top 15 rock books of 2011. Aerosmith is one of the greatest rock 'n' roll bands of all-time. After their 1970s success was derailed by band strife and Dionysian excess, Boston's Bad Boys received a career jump-start in 1986 via their collaboration with hip-hop legends Run-DMC and producer Rick Rubin. This first complete illustrated history of one of the world's most successful and popular bands features a band history by music journalist Richard Bienstock and sidebar album reviews from a host of well-known music journalists, including Greg Kot, Jaan Uhelszki, Chuck Eddy, Bill Holdship, Martin Popoff, Daniel Bukszpan, and more. Illustrated throughout with hundreds of stunning performance and backstage photographs, as well as rare memorabilia, including gig posters, backstage passes, 7-inch picture sleeves, ticket stubs, and more.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Yes are the archetypal 1970s progressive rock group. Playing powerful and adventurous music when it was briefly part of the mainstream, the band thrilled millions with their iconic albums and epic live shows. Records like Fragile and Close To The Edge helped define an era and although the band dissolved at the end of the decade, Yes emerged once again with 90125, a streamlined, modern sound in the 1980s and a US number one hit single in ‘Owner of a Lonely Heart’. Now in their sixth decade, the band continues to release albums and play live into the new millennium, despite numerous, sometimes controversial, lineup changes. This book examines each one of Yes’s studio albums, highlighting...