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The Mad and Magical World of Sukumar Ray
Welcome to the extraordinary world of Sukumar Ray – King of Humour and Wizard of Wordplay! A gifted poet, writer, playwright and illustrator, Ray wrote stories of various shapes, colours and flavours, transforming words into things of wonder and whimsy for generations of readers. Featuring broken stars and enchanted forests, cures for anger and greed, lazy pigs and sly parrots, wicked sorcerers and talking dolls, many of the tales in this unusual medley have been translated into English for the first time. The collection highlights not only Ray’s crazy imagination but also his ability to breathe life into fables from faraway lands. Brimming with wit and magic, this dazzling display of Sukumar Ray’s storytelling genius is sure to leave you utterly spellbound.
Wordygurdyboom!
‘If you hear this, you will find your heads are getting muddled. Some of you will fathom fully, some will stay befuddled’ The Bengali language has never been quite such a living, breathing creature of whimsy as in Sukumar Ray’s hands. His creations—wild and wicked, dreamy and delirious—have thrilled children and adults alike. This selection offers you the best of his world—pun-riddled, fun-fiddled poetry from Abol Tabol and Khai-Khai, stories of schoolboy pranks from Pagla Dashu, of madcap explorers from Heshoram Hushiyarer Diary and the unforgettable harum-scarum classic Haw-Jaw-Baw-Raw-Law—for the first time in its entirety. All the stories and poems are accompanied by Sukumar Ray’s inimitable illustrations. Sampurna Chattarji’s vibrant translation captures the freewheeling play of sound and sense we associate with Ray’s writings, and promises to win him a whole new generation of admirers.
The Select Nonsense of Sukumar Ray
A Presentation Of Sukumar Ray`S Who Humour Who Forced The Nonsense Club. The Poems Are Clubbed - Rhymes Without Reason - 40 Items - A Topsy-Turvy Tale. Illustrations In B & W.
HJBRL - A Nonsense Story by Sukumar Ray
A classic Bengali children's story filled with funny characters and bizarre happenings.
Sukumar Ray
Sukumar Ray was the first humorist in Bengali literature. His witty poems, anarchic plays and hilarious stories have enchanted many generations of readers. Many phrases invented by him have become a part of the Bengali language. Sukumar Ray introduced humour to Indian Literature and his irrepressible vioce still fills our lives with an innocent insanity and the unadulterated joy of laughter.
The Crazy Tales of Pagla Dashu and Co.
‘Dashu got away with it because he was ‘mad’.’ You never know what’s going to happen in Pagla Dashu’s world – it’s an out-and-out romp. Life is never ordinary or dull when Dashu is around and this round-eyed, curly- haired schoolboy shakes up people and places till everyone and everything is as topsy-turvy as our hero. From his classroom antics to his playtime tactics, Dashu’s impish audacity has you rolling on the floor with laughter. Join him and his equally wacky company of madcap schoolboys and geniuses, show-offs and know-it-alls, scientists and explorers, and many other unforgettable characters who will take you on a crazy roller-coaster ride through poetry epidemics, strange robberies, chaotic school plays, and imaginary lands populated by magical creatures. These 25 classic stories by Sukumar Ray have been put together for the first time in English by the Jadavpur University Translators’ Collective and feature rare illustrations by the father-son duo of Sukumar Ray and Satyajit Ray. PLUS! Book Mine Gems: 48 extra-special pages: Know more about the author, his work and his times. Plus things to think about and to do.'
Language and Grammar
Bhaswati Bhattacharya Chakrabarti is a Professor of Philosophy, University of North Bengal is well-conversant in both Indian and Western philosophy. Her books and articles particularly on Buddhism and Jayar"a·si are well accepted and appreciated by the scholarly world. She has lectured at length in different Universities of India and published papers in many professional journals published from India and abroad apart from few books. In 2004, she has visited Paris under Indo-French Cultural Exchange programme sponsored by I.C.P.R. in connection with her post-doctoral work on `Philosophy of Language ¿ East-West Dialogue¿. Recently she has co-edited »Sabdapram"a]na in Indian Philosophy.
Making Sense of Nonsense: A Contextual Study of the Art of Sukumar Ray
Given his prominence and the acknowledged merit of his work, it is notable that his work has not been extensively subjected to an intellectual critique. This dissertation will begin to fill this large lacuna. In Chapter Two, I examine Sukumar's work in the context of his life-long involvement with the Brahmo Samaj. Chapter Three outlines how Sukumar's nonsense fits the definition and transcends the subversiveness of those famous Victorian nonsense practitioners. Chapter Four reveals his critical appraisal of the turbulent background of the early 20th century colonial situation. Chapter Five looks closely at how he assesses identity development and crisis under colonialism. Chapter Six argues that his most outlandish and nonsensical creations ultimately lead to a profound critique of the most fundamental matters of self and society including, or especially, the meaning of life in the face of inevitable death.
