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Gathers caricatures and portraits depicting royalty, politicians, artists, lawyers, journalists, and sportsmen of Victorian England and includes notes on each subject's life
The first new translation of Balzac’s 1847 novel Splendeurs et misères des courtisanes in half a century, fully annotated and with an extensive introduction In Lost Souls, Honoré de Balzac’s brilliant evocation of nineteenth-century Paris, we enter a world of glittering wealth and grinding poverty, teeming with strivers, poseurs, and pleasure seekers along with those who struggle merely to survive. Between the heights of Parisian society and the criminal world lurking underneath, fate is about to catch up with Lucien de Rubempré, last seen in Lost Illusions, as his literary aspirations, his love for the courtesan Esther van Gobseck, and his scheme to marry the wealthy Clotilde become ...
In this translation of two seminal works by Mauriac, the 1930 novel What Was Lost and its theoretical basis, the 1929 essay God and Mammon, Raymond MacKenzie re-introduces Mauriac to the English speaking world.
Nineteenth-century French writer Marie-Henri Beyle, better known by his pen name Stendhal, is one of the earliest leading practitioners of realism, his stories filled with sharp analyses of his characters’ psychology. This translation of Stendhal’s Chroniques italiennes is a collection of nine tales written between 1829 and 1840, many of which were published only after his death. Together these collected tales reveal a great novelist working with highly dramatic subject matter to forge a vision of life lived at its most intense. The setting for these tales is a romanticized Italy, a place Stendhal viewed as unpolluted by bourgeois inhibitions and conformism. From the hothouse atmosphere ...
A masterpiece of nineteenth-century literature in a fresh translation that fully captures the language, psychology, and social reach of Stendhal's original Fueled with a combustible mix of ambition, naivete, and Napoleonic ideals, Julien Sorel sets his sights on the heights of French society. But for the son of a provincial carpenter in post-Napoleonic France, the prospects for advancement are vanishingly narrow, the chances for glory rarer yet. After securing a toehold as a tutor to a wealthy family, Julien proceeds through a series of misadventures, illicit affairs, and lucky reversals to breach the ranks of French aristocracy--only to be undone by treasonous schemes, cynical romantic calc...
"Utopia poses a question. Not simply in the sense of a problem to be resolved and at the same time eliminated . . . but in the sense that, within the economy of the human condition, utopia, the aim of social alterity--of all social otherness--is ceaselessly being reborn, coming back to life despite all the blows rained down upon it, as if human resistance had taken up residence within it." For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour's project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia's beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called "catastrophe."
We are in Algeria, in a small, nameless village, a battered village. The war, stretching from the mountains to the sea, cannot alter the beauty of land and sky, the light falling on the graveyard, the silence of a proud and impoverished people. Ceaselessly, on foot and on horseback, the narrator travels about a land to which he is rapidly becoming attached. During his excursions through a landscape that stimulates and fascinates him, he gives way to an anguished meditation on fate, questioning himself about good and evil, the degradation and corruption of men, the absurdity of war. Day by day, his sense of observation grows more acute, and to keep from giving in to the interior panic that threatens him, he studies attentively his fellow soldiers, the inhabitants, especially the women, and among them, the beautiful and affecting Kheira. As he feels within him the upwelling of a primordial wildness, he chooses to bury himself in solitude. But will he be able to avoid confronting the wild beast in its lair? [adapted from the cover of the original Gallimard edition]
Catholic colleges and universities have achieved a prestigious place in American higher education, but at the risk of losing their religious identity. This book confronts challenges facing all members of the college community, from presidents and trustees through the faculty and deans to student-life professionals, in making a renewed commitment to that mission. Developing the vision of Catholic higher education expressed in the Vatican statement Ex Corde Ecclesiae, these essays provide a framework for enhancing Catholic identity across the campus and in the curriculum. The contributors address significant aspects of the culture of Catholic higher education in order to prescribe the best practices that can help colleges and universities maintain their distinctive religious character and ethical vision.
This book’s primary purpose is to commemore the 300th anniversary of a seminal book in classical liberal thought. Montesquieu’s Persian Letters is a delightfully rich, sympathetic sattire of commercial society’s promise and discontents, covering a wide range of issues and themes that shaped the direction of liberal modernity. It consists of a series of letters largely writted by two Persian travelers to Paris, who allow modern readers to view Parisian life from the perspective of an outsider. The volume includes contributions from prominent scholars of Montesquieu’s whose classic commentaries have stood the test of time, and early career scholars who have recently unearthed new and exciting avenues for understanding this important hinge-figure in modern political thought.