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In the 1920s and 1930s, Rayner Hoff was the most gifted - and controversial - public sculptor in Australia, best known for the sculptures and friezes that adorn Sydney's Anzac Memorial, including Sacrifice at its centre. After moving from London in the early 1920s, Hoff taught at and eventually ran the National Art School. As well as completing the Anzac Memorial sculptures - which generated uproar when the Catholic Archbishop of Sydney opposed two further works planned for the Memorial - he also designed the original Holden lion badge, won the Wynne Prize in 1927, and made firm friends with luminaries like Norman Lindsay, Hugh McCrae and Mary Gilmore. This biography tells the story of Hoff's life and work for the first time, and how he spearheaded an Australian sculpture renaissance and left a mark that is still keenly felt today.
When the Anzac Memorial, opened in 1934, eager crowds were enthralled by the evocative sculptures by Rayner Hoff. Unfortunately, controversy over one of Hoff's artworks and his premature death resulted in these sculptures being largely overlooked for the past 80 years. The Naked Soldier reveals for the first time, the secrets of Hoff's Anzac sculptures. It brings to light his amazing gifts to the people of New South Wales who were still grieving from the slaughter of the First World War. Above all, this book shows that Rayner Hoff created the central sculpture, Sacrifice, to depict the burden placed on women when their men were killed in the war. A visit to the Anzac Memorial will now be a richer experience because Hoff's messages of empathy are available to visitors.
Interpreting Rayner Hoff's Sculpture in the Anzac Memorial, Sydney. A visit to the Anzac Memorial will now be a richer experience because Hoff's messages of empathy are available to visitors. This is a revised edition.
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The First World War mangled faces, blew away limbs, and ruined nerves. Ten million dead, twenty million severe casualties, and eight million people with permanent disabilities - modern war inflicted pain and suffering with unsparing, mechanical efficiency. However, such horror was not the entire story. People also rebuilt their lives, their communities, and their bodies. From the ashes of war rose beauty, eroticism, and the promise of utopia. Ana Carden-Coyne investigates the cultures of resilience and the institutions of reconstruction in Britain, Australia, and the United States. Immersed in efforts to heal the consequences of violence and triumph over adversity, reconstruction inspired po...
The Modern Hercules explores the reception of the ancient Greek hero Herakles – the Roman Hercules – in western culture from the nineteenth century to the present day, exploring the hero’s transformations of identity and significance in a wide range of media.
Memorials to Australian participation in wars abound in our landscape. From Melbourne's huge Shrine of Remembrance to the modest marble soldier, obelisk or memorial hall in suburb and country town, they mourn and honour Australians who have served and died for their country. Surprisingly, they have largely escaped scrutiny. Ken Inglis argues that the imagery, rituals and rhetoric generated around memorials constitute a civil religion, a cult of ANZAC. Sacred Places traces three elements which converged to create the cult: the special place of war in the European mind when nationalism was at its zenith; the colonial condition; and the death of so many young men in distant battle, which impell...
Art Deco style was established on the ashes of a disappeared world, the one from before the First World War, and on the foundation stone of a world yet to become, opened to the most undisclosed promises. Forgetting herself in the whirl of Jazz Age and the euphoria of the “Années Folles”, the Garçonne with her linear shape reflects the architectural style of Art Deco: to the rounded curves succeed the simple and plain androgynous straight line... Architecture, painting, furniture and sculpture, dissected by the author, proclaim the druthers for sharp lines and broken angles. Although ephemeral, this movement keeps on influencing contemporary design.
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
The contributors to Radically Speaking show that a radical feminist analysis cuts across class, race, sexuality, region, religion and across the generations. It is essential reading for Women's Studies, sociology, cultural studies, and anyone interested in processes of social change. Thecollection reveals the global reach of radical feminism and analyze the causes and solutions to patriarchal oppression. Seventy writers discuss their ideas and practice of contemporary feminism.